by Gary Golio ; illustrated by Ed Young ‧ RELEASE DATE: March 1, 2015
Exuberant and gorgeous—like the music.
The innovative collaboration between jazz trumpeter Dizzy Gillespie and saxophonist Charlie “Bird” Parker is celebrated within a double-sided, accordion-fold format.
Golio’s text both describes and echoes the playful aspects of Bird and Diz’s music as “They take turns, / tossing notes back and forth like jugglers, // or play at the same time, / saxophone and trumpet / singing together.” Then, “Diz’s cheeks swell up, / like a frog with glasses. / He points his trumpet and shoots out fireworks. / Tag, Bird—you’re it!” On the first 12 panels, which make up one long, unfurling side of the pleated sheet, Golio focuses on the musicians’ onstage interplay. On the reverse panels, the music itself’s the focus. “Bebop—fast jazz…. // It’s fall on your face or fly!” Young layers pastels and gouache on golden brown, water-resistant paper, giving each musician a distinctive color aura. Dizzy’s is neon orange and fuchsia, while Bird’s is teal green and periwinkle with violet accents. These auras not only visually distinguish each musician, but morph, on the verso panels, into a color-coded visual notation, articulating solos and unison playing—a bebop ECG! Inked contour lines and looping calligraphy skitter and skip like Diz’s staccato trumpet bleats. Alas, the choice of Tempus Sans for the text type sounds the one sour note here: Its twee whimsy’s more suited to lullabies than hip, mid20th-century bebop.
Exuberant and gorgeous—like the music. (afterword, suggested recordings) (Picture book. 4-8)Pub Date: March 1, 2015
ISBN: 978-0-7636-6660-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Jalen Hurts ; illustrated by Nneka Myers ‧ RELEASE DATE: March 10, 2026
Earnest and well meaning but not quite a touchdown.
In Philadelphia Eagles quarterback Hurts’ motivational picture book, a youngster rebounds from disappointment.
As Jalen heads off on his first day of school, he daydreams about joining the football team, but his friend Trey soon breaks the bad news. The garden club needed more space for vegetables, so the football field was used for planting. There will be no football this year. Jalen is despondent, but his teachers Mrs. Lee and Mr. Barry and bodega owner Mr. Muhammad offer guidance that spurs him and his friends into positive action. They work to flip a nearby empty lot into a football field, with Jalen echoing his mentors’ adages. Once the field is complete, Jalen feels a swell of pride in his and his friends’ work. While the idea of kids working together to effect change is a laudable one, the bland, wordy storytelling won’t inspire young people or hold their attention. Tired, cliched inspirational comments peppered throughout often slow down the narrative, and many adult readers will find the premise—a school dropping a high-interest sports program in favor of a community garden—wildly unrealistic. Though the illustrations are colorful, with a Disney Junior charm, strange stylistic choices, such as signs with odd combinations of scribbles instead of letters, give them an unpolished look. Like Hurts, Jalen is Black; his community is diverse.
Earnest and well meaning but not quite a touchdown. (Picture book. 4-8)Pub Date: March 10, 2026
ISBN: 9798217040308
Page Count: 40
Publisher: Flamingo Books
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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