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A FIRE ON THE PRAIRIE

CHICAGO'S HAROLD WASHINGTON AND THE POLITICS OF RACE

A mostly admiring—though contentious, flatly written, and somewhat overlong—political biography of Harold Washington, mayor of Chicago from 1983-87. Rivlin has covered Chicago politics for the Chicago Reader and The Nation. The first half of Rivlin's account is devoted to the final years of Richard Daley's political machine and the struggle for power that followed between Daley's protÇgÇ Jane Byrne and—by Rivlin's account—his inept son, Richard Daley, Jr. The portraits of Byrne and Daley, Jr., are anything but flattering, but Rivlin's harshest words are reserved for Washington's rival Jesse Jackson, who emerges here as egotistical and opportunistic to a fault. When Washington won the Democratic primary for mayor in 1983, Jackson jumped forward and tried to introduce Washington's victory speech; when that failed, he tried to raise Washington's arm with his own as though it had been a joint triumph. Rivlin also gives much space to black nationalist Lu Palmer, and to a Polish city council powerhouse who in Washington's first term held sway over machine- loyal aldermen and prevented Washington from accomplishing much of anything. Washington gets high marks for an almost obsessive devotion to his job, for rising above considerations of race, for providing housing initiatives, and for attempting to lift Chicago government above the Daley legacy of cronyism. But he was not always effective as an administrator, Rivlin shows, and many of his own appointments were questionable. Washington's personal life was a shambles, with a succession of girlfriends, excessive drinking, and the tendency to be late or to miss appointments altogether. White backlash and wars with the city council put him under terrible stress, and he finally fell over at his desk with a coronary just at the point, in the beginning of his second term, when he had consolidated enough power to become truly effective. Perhaps his greatest legacy is that, to a large extent, he broke Daley's machine. Uneven and often, it seems, unfair, but Rivlin's research and intimate knowledge of the principals are impressive.

Pub Date: March 19, 1992

ISBN: 0-8050-1468-3

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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