Next book

A FIRE ON THE PRAIRIE

CHICAGO'S HAROLD WASHINGTON AND THE POLITICS OF RACE

A mostly admiring—though contentious, flatly written, and somewhat overlong—political biography of Harold Washington, mayor of Chicago from 1983-87. Rivlin has covered Chicago politics for the Chicago Reader and The Nation. The first half of Rivlin's account is devoted to the final years of Richard Daley's political machine and the struggle for power that followed between Daley's protÇgÇ Jane Byrne and—by Rivlin's account—his inept son, Richard Daley, Jr. The portraits of Byrne and Daley, Jr., are anything but flattering, but Rivlin's harshest words are reserved for Washington's rival Jesse Jackson, who emerges here as egotistical and opportunistic to a fault. When Washington won the Democratic primary for mayor in 1983, Jackson jumped forward and tried to introduce Washington's victory speech; when that failed, he tried to raise Washington's arm with his own as though it had been a joint triumph. Rivlin also gives much space to black nationalist Lu Palmer, and to a Polish city council powerhouse who in Washington's first term held sway over machine- loyal aldermen and prevented Washington from accomplishing much of anything. Washington gets high marks for an almost obsessive devotion to his job, for rising above considerations of race, for providing housing initiatives, and for attempting to lift Chicago government above the Daley legacy of cronyism. But he was not always effective as an administrator, Rivlin shows, and many of his own appointments were questionable. Washington's personal life was a shambles, with a succession of girlfriends, excessive drinking, and the tendency to be late or to miss appointments altogether. White backlash and wars with the city council put him under terrible stress, and he finally fell over at his desk with a coronary just at the point, in the beginning of his second term, when he had consolidated enough power to become truly effective. Perhaps his greatest legacy is that, to a large extent, he broke Daley's machine. Uneven and often, it seems, unfair, but Rivlin's research and intimate knowledge of the principals are impressive.

Pub Date: March 19, 1992

ISBN: 0-8050-1468-3

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview