A disturbing, provocative, and vivid war tale that’s loaded with lesser-known historical details.
A World War II novel tracks the experiences of an ethnic German family living in Huntsville, Utah.
Karl and Marta Meyer joined the Church of Jesus Christ of Latter-day Saints in Germany and then moved to Utah around 1919. Naturalized citizens, the German immigrants have two teenagers, Ella and her younger brother, Hank. Readers meet the family in 1939, together with Ella’s best friend, Billie Russell, and Hank’s new friend Chester Bailey. It is in these early pages that Toyn plants a harbinger of the trouble that will descend on the family in the years to come. Readers learn that Hank has a small suitcase that contains mementos (a Nazi Youth Movement uniform and a Nazi flag) from a childhood visit to his grandparents in Germany. After nicely establishing local period atmospherics, the author moves quickly to December 1941. Hank is a junior in high school; Ella is in nursing school; and Billie has become a civilian pilot. It is the morning of Dec. 7. Karl and Marta have returned from a German social club event and report that they left early in disgust when some Nazis took over the meeting. A few hours later, the Japanese attack Pearl Harbor, and America is at war. Four days later, Germany declares war on the United States. Much of Toyn’s absorbing narrative is devoted to a portrayal of the darker aspects of America’s war history, as depicted through parallel stories that feature Hank, Billie, and Karl and Marta after the couple are arrested as Nazi sympathizers and placed in internment camps. While Hank enlists in the Air Force and winds up in a violently abusive Austrian prisoner of war camp (Stalag 17-B), Billie becomes a high-flying Women’s Airforce Service Pilot, delivering newly minted planes to bases around the country. Billie’s tale is a vehicle for revealing the overt male pilot hostility, including sabotage, toward female aviators. The roundup and use of ethnic Germans in secret prisoner exchanges is verified by the author’s copious, annotated footnotes. Although highly informative, the embedded notes do disrupt the flow of an otherwise dramatically engaging and unsettling novel.
A disturbing, provocative, and vivid war tale that’s loaded with lesser-known historical details.Pub Date: Sept. 15, 2021
ISBN: 978-0-98-184897-6
Page Count: 584
Publisher: American Legacy Media
Review Posted Online: July 28, 2021
Review Program: Kirkus Indie
BOOK REVIEW
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
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