by Gaye Hicyilmaz ‧ RELEASE DATE: May 1, 1992
It's a common story: a family abandons a farm whose crops no longer sustain them, only to discover that the city offers even less hope. Mehmet's feckless father leads his big extended family to Ankara, but the new life is bitter. Wealthy Uncle Yusuf's ``help'' means exploiting his relatives as landlord and employer; his wife is a mean gossip, their son a pampered, vicious sneak. Mehmet makes friends with illiterate, streetwise Muhlis, a talented artist; he also seeks out his best friend from home, whose parents had brought him to Ankhara for better schooling. But the brilliant Hayri, suddenly orphaned, is now starving and demented; Mehmet gets him to a wealthy woman who kindly takes him in, but, ironically, Hayri's new home and prospects set him beyond Mehmet's reach as a friend. Just as Mehmet and Muhlis are planning to return to Mehmet's village, Muhlis is killed in an accident that dramatizes the city's indifference to its poor. Leaving his family, Mehmet sets out for the village alone. Hiáyilmaz, who ``lived in Turkey for many years,'' evokes the milieu with a skill, sympathy, and rich detail that recall Staples's Shabanu (1989); her characterizations may not be as deep, but even the many minor characters here are perceptively realized, while she contrasts the four boys' opportunities— functions more of luck than of native gifts or good will—in a gracefully fashioned plot growing naturally from her theme. A memorable story that will open minds and hearts. (Fiction. 12+)
Pub Date: May 1, 1992
ISBN: 0-316-36078-3
Page Count: 200
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
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by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Max Howard ‧ RELEASE DATE: Oct. 1, 2018
An auspicious ending may seem a bit unlikely to some, but this novel has many appealing aspects that will draw readers in.
Fifteen-year-old Zeke gets a job and becomes involved with community organizers who aim to unionize local food-service workers in this novel in verse for reluctant readers.
Zeke hates their lives in the city with Paul, his alcoholic mom’s abusive boyfriend, a hypocritical Christian, and he misses his old home in small-town Wisconsin. Spurred to action by the idea of making enough money for them to move back, he takes a job at Casa de Pizza, where he comes to understand the desperate circumstances many of his minimum-wage–earning co-workers face. Zeke keeps the job secret, fearing Paul will try to steal his earnings. Pagelong free-verse poems evocatively describe Zeke’s experiences and quickly propel the story forward. The dynamics between the employees at Casa de Pizza (Zeke and several others are white, Timothy is black, Hannah is originally from Oaxaca) will be recognizable to teens who’ve worked in food service. Readers will easily sympathize with the all-too-true-to-life situations with which the characters are coping—racism and sexual harassment, Zeke’s awful home life, and a co-worker’s eviction with her children among them. Though short, this story develops the characters’ personalities, sketches in the history of the labor movement, and includes a subdued romantic subplot, effectively balancing these various elements.
An auspicious ending may seem a bit unlikely to some, but this novel has many appealing aspects that will draw readers in. (Fiction. 12-18)Pub Date: Oct. 1, 2018
ISBN: 978-1-5383-8260-8
Page Count: 202
Publisher: West 44 Books
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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