Light indeed, but merry and often suspenseful. A pleasant, funny chick-lit mystery. (Mystery. 12 & up)
In this light comedy/murder mystery, 16-year-old Hartley tries to prove that her ex-boyfriend didn’t kill her rival.
The emphasis stays on comedy with spikes of suspense as Hartley bounces from rage against boyfriend Josh and his not-so-secret squeeze Courtney to screaming shock when she finds Courtney’s dead body in Josh’s closet. Despite appearances, she’s sure he’s innocent and decides to prove it, no matter how ill-equipped she may be to do so. She teams up with Chase, a hunky, goth-type school journalist who looks a bit suspicious himself. Hartley breezily defies her mother and sneaks out of her house to meet strangers in the middle of the night, even after she literally stumbles over a second murder victim. Not surprisingly, eventually she finds herself in danger. Halliday keeps the mood light and tries to balance the comedy and suspense. Comedy easily wins the battle, but suspense often breaks into this fairly standard murder mystery. The author portrays Hartley as a bit of a bubble brain, however, indulging in omigod freakouts with best friend Sam at every turn of events and constantly acting on impulse, quipping her way through high-school suspects until she finds the major clue in the case. It’s fine for an audience more interested in light entertainment than discerning heft.
Light indeed, but merry and often suspenseful. A pleasant, funny chick-lit mystery. (Mystery. 12 & up)Pub Date: Oct. 11, 2011
ISBN: 978-0-06-200331-7
Page Count: 320
Publisher: HarperTeen
Review Posted Online: Aug. 16, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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