Should appeal to fans of realism-based what-if? narratives.
Goth girl Jade Leighton was 5 when her mother died in the car accident that left her physically and emotionally scarred.
To cope, Jade purposely shut off her emotions. Now 17, numbness remains her standard way of moving through the world. Her emotional detachment prevents her from really being there for her friends, and she hurts them instead. Then, in a dream, she receives a warning from her mother that things are about to change. And change they do: After she hits her head, Jade wakes up to a world in which everything is the opposite of what it was, including her former unpopularity. She’s now the queen bee, and all the cool people—kids and adults—are goths too. Her archnemesis, Mercedes, formerly the most popular girl, is now public enemy No. 1. Unfortunately, Mercedes is the only other person aware that things are not as usual—and the two girls now need to work together to get back to their real lives. But how? Is there something they’re supposed to learn? Jade’s first-person narration is a little heavy on the “you don’t know what you’ve got till it’s gone” message, but it’s a fun read nonetheless. Diversity is light; of Jade’s three best friends, two have surnames that suggest they are Southeast Asian and Latinx, while all others assume a white default.
Should appeal to fans of realism-based what-if? narratives. (Fantasy. 12-18)Pub Date: Sept. 4, 2018
ISBN: 978-1-335-13972-6
Page Count: 384
Publisher: Harlequin Teen
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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