An entertaining and thoughtful book about a remarkable life that consistently embraced transformation.
A posthumous memoir from the multimedia artist, a "transgender icon” who transcended more than mere gender categories.
P-Orridge, who died from leukemia in 2020, was born Neil Andrew Megson in Manchester, England, in 1950. Considering their birth name a "temporary tag," P-Orridge believed that a name change was "a really potent form of magic.” Their overriding goal in a lifetime of art- and music-making was to "short-circuit control," a directive given to them by William Burroughs. The author’s early years in British schools, where they suffered from verbal and physical abuse from classmates and authority figures alike, "taught me who my enemy was." Their early experiments in performance art and street theater set the tone for their career: “Does anything have to exist just because it did before?...Who does it serve?” Throbbing Gristle, the seminal industrial band P-Orridge co-founded, used "the tools and the toys of the military-industrial complex" as musical instruments to subvert “their original intent, which was, of course, control.” Confounding expectations, the author’s next band, Psychic TV, aimed to “seduce the audience rather than alienate them.” Using esoteric rituals, fetish objects, sacred figures, and shamanic tools, their music conjured spiritual states and aimed to "make the occult trendy again.” For another conceptual art project, P-Orridge served as one half—with dominatrix and partner Lady Jaye Breyer—of a "pandrogyne" fusing male and female beings into a "third being,” a further breakdown of the binary model. They erased differences between them with body modifications and medical techniques, applying cut-up methods to "our problematic bodies.” They considered this project the "egalitarian integration of two artist explorers, this third being Breyer P-Orridge," a proposed "end of either/or" that is "essential to the survival of the species." As much a manifesto as a memoir, this wild life story is dedicated to the breakdown of categories: "End gender. Break sex. Destroy the control of DNA and the expected. Every man and woman is a man and woman.”
An entertaining and thoughtful book about a remarkable life that consistently embraced transformation.Pub Date: June 15, 2021
ISBN: 978-1-4197-4386-3
Page Count: 352
Publisher: Abrams
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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