A quiet, introspective look at life and how to be human.
A teen ponders the complexities of life, history, and humanity in this 1937 classic from Japan that is being animated by Hayao Miyazaki.
Honda “Copper” Jun’ichi is an introspective 15-year-old living in Tokyo with his mother; his father died two years earlier. Like a typical teenager, Copper goes to school, spends time with his friends, and has experiences that affect his worldview and personal growth. Copper’s analyses of his friendships and the bullying of a classmate from a poorer family, along with his youthful maternal uncle’s thought-provoking conversations on science, ethics, and world history, add dimension to a spare plot. It is this latter relationship that produces Copper’s nickname, shortened from Copernicus and reflecting his uncle’s observation that, despite his age, Copper was already developing an expansive, Copernican approach to the world. The colloquial tone of the uncle’s notebook entries and the omniscient narrator’s occasional comments directed at readers are engaging. Simple and beautiful seasonal details reflect Copper’s emotional journey. Small glimpses into prewar Japanese life and culture, including tofu making, school social hierarchies, city life, and the intricacies and symbolism of words, contribute to the atmosphere. A foreword by Neil Gaiman perfectly captures the mood and significance of this book, a childhood favorite of Miyazaki’s and one that is sure to find a select, but eager, readership outside its original homeland.
A quiet, introspective look at life and how to be human. (translator's note) (Fiction. 10-adult)Pub Date: Oct. 26, 2021
ISBN: 978-1-61620-977-3
Page Count: 288
Publisher: Algonquin
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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