by Geoffrey Cain ‧ RELEASE DATE: June 29, 2021
A prescient, alarming work on the overreach of technology and state power.
A scarifying dive into China’s pernicious spy state.
Enlisting interviews with Uyghur refugees in Turkey, where he now lives, American investigative journalist Cain digs into the “sophisticated surveillance dystopia” set up by the Chinese government. Unprecedented advances in artificial intelligence, facial recognition, and other technologies have allowed the state to monitor and control the Uyghur population in Xinjiang. This is just the beginning, warns the author, whose previous book, Samsung Rising (2020), exposed many of the secrets of the South Korean tech giant. In his latest investigation, Cain was determined to infiltrate China’s crackdown in Xinjiang, where the state accuses the native Uyghurs, a Turkic Muslim people, of the “three evils” of terrorism, separatism, and extremism. With China’s aim to revive the historic Silk Road via its ambitious, $1 trillion One Belt, One Road initiative, it needed to pacify the restive region of Xinjiang, its most sensitive border. However, beginning in 2014, China escalated its counterterrorism tactics to unseen levels of brutality. As Cain writes, “China’s goal was to erase one people’s identity, culture, and history and to achieve a total assimilation of millions of people.” The author systematically breaks down these methods, including the creation of “vocational training centers” and “reeducation centers,” which, by 2017, housed more than 1.5 million Uyghurs. Cain’s main protagonist, “Maysem,” chronicles the increased monitoring of her family and home and tells about how she was placed in a concentration camp because of her supposed propensity for crime. This was based on “predictive policing,” in which AI uses an algorithm “to guess who might commit a crime in the future.” In addition to hundreds of hours of personal interviews with 168 Uyghurs, the author also examines documentation suggesting “deep connivance of many Chinese technology firms in creating the monstrosity in Xinjiang.” And the monster continues to expand, with Chinese tentacles reaching outside its borders to bring refugees back into the fold. Cain also tracks how similar technology is being deployed in the U.S.
A prescient, alarming work on the overreach of technology and state power.Pub Date: June 29, 2021
ISBN: 978-1-5417-5703-5
Page Count: 304
Publisher: PublicAffairs
Review Posted Online: April 27, 2021
Kirkus Reviews Issue: May 15, 2021
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by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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