An urgent crusade to keep children safe drives this colorful, fictional biography.
A single mother can’t leave her social conscience behind in Dutton’s suspenseful drama.
In this loose sequel to the author’s Turkey Shoot (2018), Anna Burmeister is in transition, raising her 5-year-old son, Ramadi, in Piraeus, Greece, while still mourning his father, Mahmoud, who was killed in the earlier book. Mahmoud isn’t as far away as she thinks, as he’s been denied entry to Paradise (“Where I find myself now is very strange and lonely, a plane I have all to myself. Perhaps this is perdition and I am doomed to isolation for eternity”). One day, Anna witnesses a young boy, Sami, being abducted. The kidnapper is freed in court by a judge, to the disgust of Anna, who has already organized the Children’s Protective League of Greater Athens in an effort to shine a spotlight on child trafficking. She recruits her hacker friend, Ottovio, to surveil the trafficker who got off, as well as his associates. Anna also assembles a motley crew of allies from media, social services, law enforcement, and her friend group to be ready to pounce on the traffickers when they make their next move. When Ramadi spies two men grabbing Naila, a young refugee girl, Anna rallies all her forces, marching on the traffickers’ hideout. Dutton has hit upon a novel method to construct a character: Anna is presented as a real person whose story has been lightly fictionalized by the author of the two books that feature her (by the time readers reach the end, they will likely have forgotten about this somewhat confusing conceit). Dutton introduces a ton of characters to keep track of, who tend to appear briefly and then vanish for dozens of pages. Waiting for an actual abduction seems to take forever, and it’s apparent to everyone but Anna which side a cop whom she believes to be corrupt is really on. The preceding novel was Mahmoud’s story—this book is Anna’s tale, and the anarchist is appropriately making up her life as she goes along, leading with her heart.
An urgent crusade to keep children safe drives this colorful, fictional biography.Pub Date: Sept. 1, 2024
ISBN: 9781771838986
Page Count: 200
Publisher: Guernica Editions
Review Posted Online: May 6, 2024
Kirkus Reviews Issue: July 15, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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