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THE NEW BOOK OF OPTICAL ILLUSIONS

Browsers and budding neurologists alike will be dazzled, dizzied, and delighted.

A substantial gallery of optical puzzlers and deceivers, with notes on their creators and discoverers.

From the publisher of Al Seckel’s Great Book of Optical Illusions (2001), this worthy successor gathers over 150 photos, shapes, graphic patterns, and artistic effects—with plenty of overlap, particularly in types of effect, but scads of fresh examples. A standard but comprehensive array of color and line juxtapositions, apparent spirals, endless staircases, trick photos, and geometric patterns to which the eye (brain) adds ghostly effects is grouped into 33 types. It’s expanded with entries ranging from 3-D mosaics found in ancient Roman villas to trompe l’oeil paintings and sidewalk chalk drawings, anamorphic images, animal camouflage, face painting, and numerous demonstrations of pattern recognition. These last include illusory “faces” in buildings or natural objects and a block of text that is surprisingly readable even though all the letters except each word’s first and last ones are jumbled. Rüschemeyer’s accompanying notes are scanty and unsystematic, but he usually describes each effect, delves into its neurological cause (where understood), and recounts its sometimes-serendipitous discovery.

Browsers and budding neurologists alike will be dazzled, dizzied, and delighted. (Nonfiction. 8 & up)

Pub Date: Nov. 1, 2015

ISBN: 978-1-77085-592-2

Page Count: 214

Publisher: Firefly

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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COYOTE TALES

Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...

Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.

One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.

Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-55498-833-4

Page Count: 56

Publisher: Groundwood

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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FIELD NOTEBOOKS

HOW SCIENTISTS RECORD AND WRITE ABOUT OBSERVATIONS

An accessible and entertaining introduction to a basic science tool.

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Packed with examples, this children’s book explains how scientists record observations in field journals.

Children in science class who are asked to write down observations in a notebook or journal may wonder how this actually works for professional scientists. This introduction to the subject demystifies the process, beginning by defining the central concepts. Field, for example, means scientists “are not sitting in an office or a laboratory. Instead, they are in a field, a meadow, a cave, or wherever they need to be to make their observations in nature.” Pattison explains the kind of information recorded, such as lists, daily events, narratives, maps, descriptions, and measurements, along with images clarified through captions, labels, or keys providing important facts. The book then turns to 13 scientists from fields including entomology, botany, ornithology, geology, and taxidermy. Each entry includes a photographic portrait and a short biography listing notable accomplishments and experiences and a description of methods, illustrated with relevant images, such as facsimiles of field notes and examples of many kinds of observations. Because the volume focuses on scientists born in the 19th or early 20th centuries, many of the entries are handwritten or drawn, showing that students don’t need fancy equipment to perform fieldwork. In her latest science-focused book for children, the author provides clear, understandable, but not oversimplified explanations in an attractively presented format. The notebook entries make for compelling study, such as entomologist Margaret S. Collins’ observations of a territorial showdown between termite colonies: “She drew a map showing the opening positions, and then new maps as the battle continued,” recording developments over the 40-minute conflict. A final section, “Start Your Own Field Book,” supplies useful tips. But it’s unfortunate that only three female scientists are included—not for lack of historical examples.

An accessible and entertaining introduction to a basic science tool.

Pub Date: Aug. 10, 2021

ISBN: 978-1-62-944191-7

Page Count: 34

Publisher: Mims House

Review Posted Online: July 28, 2021

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