by George Cuomo ‧ RELEASE DATE: April 1, 1995
A wonderfully absorbing look at the lives and careers of two very different cops who happen to be cousins: one a former New York City detective, the other a longtime firearms specialist and chief of a Suffolk County crime-scene outfit. Suspense writer Cuomo (Trial by Water, 1992) is also a cousin of Al Della Penna and John Cuomo; the three grew up together in the Bronx. He intersperses lengthy narrative-style interviews with his own comments and observations on the two men and the family. John, ``a tough, gruff street cop,'' tells his story with passion and humor. He became a cop, he says, because ``the NYPD was one of the few places where a high-school dropout from the Bronx would be judged on his readiness to work and learn.'' A rookie in 1954, John was assigned to crime-ridden East Harlem, where learning his job meant becoming accustomed to poverty, drugs, and daily violence. He recalls numerous cases from his nearly 20 years in the Narcotics and Robbery division, from which he retired in 1974 after being arrested and suspended on bribery charges, of which he was later cleared. Al, ``a meticulous scientific investigator,'' discusses his 30 years at the Long Island Suffolk County police department with quiet, thoughtful restraint. As the department's chief firearms examiner, he was involved in several celebrated cases, including the 1974 murders of six members of the DeFeo family, which became known as the Amityville Horror. His detailed monologues on his methodical approach to crime scenes and lab work could serve as an instructive text for mystery and true-crime writers, as well as novice police officers. The author's deep background knowledge of his two cousins brings insight into their differing personalities, approaches to work, and attitudes toward the job. An odd mix of true crime and family history, but masterfully blended together. (16 pages b&w photos, not seen)
Pub Date: April 1, 1995
ISBN: 0-679-41851-2
Page Count: 400
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
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by George Cuomo
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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