Digressive, amusing, anecdotal, legend-shattering, self-deprecating and passionate—just what you want in a friend sitting...
Veteran conservative political pundit Will (One Man's America: The Pleasures and Provocations of Our Singular Nation, 2009, etc.) writes an affectionate birthday card to the home of his beloved Chicago Cubs.
The author, who has written often about baseball (Bunts: Pete Rose, Curt Flood, Camden Yards and Other Reflections on Baseball, 1997, etc.) as well as issuing his periodic poundings of liberals and celebrations of conservatives, traces his Cub fandom back to 1948, when he was 7. He notes that since his birth, the Cubs are nearly 700 games below .500, a sad record that in a perverse way unites their fans. (Will compares the Cubs to Miss Havisham, the jilted bride in Great Expectations.) This is not a traditional, chronological history but an emotional one; in fact, greedy readers will find little about the construction of the place—though there is a nice little section about the decision to plant ivy to crawl along the outfield wall. Along the way, readers will learn about a baseball-related shooting that inspired Bernard Malamud’s The Natural (1952), some history of the odd Wrigley family, the relationship between beer and attendance at baseball games, some discoveries by baseball statistician Bill James, the surprising news that Jack Ruby (yes, he who shot Lee Harvey Oswald) once was a vendor at Wrigley and that the Cubs used to train on Santa Catalina Island. Of course, it wouldn’t be George-Will-on-baseball without allusions to Dickens, Aristotle and some other luminaries. He dispels a few myths along the way. For example, the famed double-play combo (Tinker to Evers to Chance) actually turned two very rarely, and he waxes philosophical a bit, ruminating about how fandom is like tribalism.
Digressive, amusing, anecdotal, legend-shattering, self-deprecating and passionate—just what you want in a friend sitting beside you at the ballpark.Pub Date: March 25, 2014
ISBN: 978-0-385-34931-4
Page Count: 160
Publisher: Crown Archetype
Review Posted Online: Jan. 4, 2014
Kirkus Reviews Issue: Jan. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
Harari delivers yet another tour de force.
A highly instructive exploration of “current affairs and…the immediate future of human societies.”
Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.
Harari delivers yet another tour de force.Pub Date: Sept. 4, 2018
ISBN: 978-0-525-51217-2
Page Count: 400
Publisher: Spiegel & Grau
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
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