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THE LEVELING WIND

POLITICS, THE CULTURE, AND OTHER NEWS, 1990-1994

Another 175 pieces of Will's lively, inquiring mind. In his fifth collection (Restoration, 1992, etc.) of short- take commentaries (drawn largely from work published in Newsweek and the Washington Post over the past four years), the syndicated columnist addresses a wealth of consequential issues. To a great extent, however, Will's varied pieces are linked by his concern about the chill, leveling winds of cultural change now whistling through contemporary American society. Informed by a classically conservative sensibility, the author inveighs against the epidemic of illegitimate births, promotion of group (rather than individual) rights, the desensitizing effects of represented violence, the politicization of education, the coarsening of popular entertainment, and the socioeconomic costs of urban decay. Other targets of opportunity include George Bush (who, Will feels, Desert Storm notwithstanding, effectively squandered Ronald Reagan's legacy), Bill Clinton (whose on-again/off-again liberalism earns him comparison with Henry of Navarre, one of history's slicker chameleons), quota systems (whether ethnic, racial, or sexual), interventionist government, Patrick Buchanan, political agendas tarted up to pass as civil rights, the proliferation of victim status, and academe's tenured radicals. If Will finds considerable fault with the latter-day US, he does not ignore the plus side of the ledger altogether (noting at one point that journalists seldom report on all the planes that land safely). By way of example, he celebrates many of the dedicated individuals who work with underclass kids on the mean streets of inner cities that have long since lost their alabaster gleam. The Pulitzer Prizewinning author also has kind words for meritocracy (wherever observed), free trade, traditional family values, Andrew Jackson, Thomas Jefferson (whom he designates the man of the millennium), Harry Truman, and other icons whose libertarian appeal may not be readily apparent to casual students of ideology. Articulately partisan critiques of the volatile and evolving state of the union.

Pub Date: Nov. 22, 1994

ISBN: 0-670-86021-2

Page Count: 446

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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