edited by George Plimpton ‧ RELEASE DATE: June 1, 1998
This updated collection offers comforting yet intense views of 16 modern female literary icons from Mary McCarthy to Joyce Carol Oates. This revision of the 1988 collection contains new pieces on Toni Morrison, Susan Sontag, and Maya Angelou, plus many entries familiar to veteran Paris Review readers, like those on Dorothy Parker and Katherine Anne Porter. All together, it makes for a sweet gathering of many of the finest female writers of the century. Margaret Atwood is reliably erudite in her introduction exploring her subjects’ views of what makes a “woman writer,” which is epitomized by Mary McCarthy: “I think they become interested in decor.” The writers themselves are a largely precise, self-effacing bunch, many noting late literary starts and unrelated career intentions. Nadine Gordimer wanted to be a dancer, Joan Didion an actress, Elizabeth Bishop a composer. In addition to digressions on the writing process, there are amusing, endearing asides that draw the writer closer to the reader: Brooklynite Marianne Moore misses the Dodgers (“and I am told that they miss us,” she adds). They are also women who know themselves pretty well; their insights span more than writing. A good collection to have around on principle, and genuinely inspiring.
Pub Date: June 1, 1998
ISBN: 0-679-77129-8
Page Count: 304
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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