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THE SITUATION ROOM

THE INSIDE STORY OF PRESIDENTS IN CRISIS

An effective blend of political analysis and personal stories, tied together at the epicenter of crisis management.

A behind-the-scenes look inside the White House Situation Room.

Stephanopoulos, co-host of Good Morning America and author of All Too Human, served as Bill Clinton’s senior adviser for policy and strategy. His position and history as a Washington, D.C., insider allows him to examine a series of crises through the story of the Situation Room, located in the subterranean bowels of the White House complex. The author explains that the room was set up in the wake of the Bay of Pigs fiasco in 1961, which John F. Kennedy blamed on poor advice. The idea was to centralize information collection and give the president a dedicated space for decision-making, with a permanent staff of geopolitical experts. Stephanopoulos tracks events ranging from the defeat in Vietnam, to the collapse of the Soviet Union, to 9/11, examining the management styles of the presidents and other key figures and punctuating the story with interviews wherever possible. A peculiar element is that, despite its importance, for a long time, the place itself was unimpressive, much like a dull corporate meeting room. New communication equipment and technology were gradually added, and by the time of the operation to eliminate Osama bin Laden, the president could watch events unfold in real time. In fact, the problems of the current era are information overload and the temptation to micromanage. In early 2023, the room was remodeled into “a digitally advanced, ergonomically designed, smartly configured complex,” and it is now known as the WHSR (pronounced “whizzer”). This transformation was inevitable and necessary, although the author clearly feels a twinge of nostalgia. Recounting a history that might have been lost, Stephanopoulos presents an interesting package for political aficionados as well as general readers.

An effective blend of political analysis and personal stories, tied together at the epicenter of crisis management.

Pub Date: May 14, 2024

ISBN: 9781538740767

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Dec. 27, 2023

Kirkus Reviews Issue: Feb. 15, 2024

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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