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BOG TENDER

COMING HOME TO NATURE AND MEMORY

An earthy, homespun and voyeuristically satisfying book.

Twelve months of natural splendor on Vancouver Island’s eastern coast.

The stretch of wetlands where novelist and former collegiate professor Szanto (Never Hug a Mugger on Quadra Island, 2011, etc.) has spent the past decade is located on Gabriola, a British Columbian island the size and shape of Manhattan but with only 4,000 residents. From September to August, Szanto offers a lushly rendered, one-year pastoral chronicle of life in and around a marshland bog as observed by a seasoned writer who is both enamored and emotionally buoyed by it. Amid descriptions of the bog’s natural beauty and delicate ecology, the author also incorporates personal anecdotes of random eyesight maladies, baking homemade bread, the hoarfrost in winter and salmon fishing in summer. More momentous events follow, such as surviving the 1985 Mexico City earthquake, his courtship of his wife and the deaths of his parents, whose escape from Nazi-occupied Vienna is described in gripping detail. Even richer moments include a touching midwinter dinner gathering with friends who’d all survived life-threatening illnesses. But it’s the vibrant, abundant bog just outside his windows that takes center stage as the author delightfully surveys iridescent dragonflies, raccoons and countless bird species. Though the hazards of country living are numerous, they only seem to bring out the author’s indefatigable temperament. After a nasty hornet sting that nearly killed him, Szanto resolved to keep the extinguished nest, situated above his front door, “as a war memorial.”

An earthy, homespun and voyeuristically satisfying book.

Pub Date: March 5, 2013

ISBN: 978-1-927366-08-0

Page Count: 272

Publisher: Brindle & Glass

Review Posted Online: Dec. 26, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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