A compassionate and compelling tale of an Italian Jew’s life during World War II.
Two Jewish friends journey through Italy, seeking safety as World War II rages around them.
This well-researched novel follows its characters through the best and worst moments of their lives. A gripping prologue sets the scene: A woman named Lili runs for cover in the woods with a child in tow as gunshots ring out behind her. In Chapter 1, we see Lili support her best friend, Esti, as she gives birth to her baby son, Theo. Questions arise—is Theo the child from the prologue? If Theo is not Lili’s son, why are they on the run together? Where is Esti? We see hints to the answers as the temperature rises for Lili, an Italian Jew, and Esti, a Greek Jew. They must come to terms with the impact Mussolini and Hitler will have on them and their families. Esti becomes involved in the Resistance and Lili, although more cautious, comes along for the ride. The women live in a world of fake IDs and fearful relocations. Readers learn Italy’s geography and how the events of the war play out. We also see into the humanity of the story as their seemingly never-ending journey continues: “Lili repeats the story in her head to remember it. Another alibi. She’s no longer Lili from Bologna, but Lili from Lecce, who, depending on the moment, is a widow, or someone’s niece, or a traveling nun.” Lili and Esti live with the terror of not knowing where their loved ones are and whether they are alive. Lili’s devotion to Theo and her endurance in eluding capture are inspiring. Along the way, she finds an unexpected romance, presumably the one good thing referenced in the title, that brings some joy to what until then has been a sad story.
A compassionate and compelling tale of an Italian Jew’s life during World War II.Pub Date: March 4, 2025
ISBN: 9781984880932
Page Count: 432
Publisher: Pamela Dorman/Viking
Review Posted Online: Aug. 29, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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