by Gerald Astor ‧ RELEASE DATE: June 10, 1997
The history of the celebrated Eighth Air Force in WW II, by one of the leading chroniclers of that war Astor (Crisis in the Pacific, 1996, etc.) writes of the US/British agreement on the need for strategic bombing to destroy the war-making power of Nazi Germany as a prelude to a massive frontal assault by Allied troops on Fortress Europe. The US was to use precision bombing in daytime (to spare civilians) while the RAF would do ``area bombing'' at night. The Eighth, set up in England by generals Arnold, Spaatz, and Eaker had few planes and crews in place in January 1942, when Germany's enormous air power and anti- aircraft defenses were strongest. An early raid on Brest cost the loss of 10 planes and 100 men. It would get worse. As the US buildup grew, appalling losses of planes and crews from ``maximum effort'' raids alarmed the generals. During the bombing of Hamburg the Eighth's losses were 88 planes and 880 men. Few airmen could expect to survive their prescribed 35 missions. Generals Le May and Doolittle (who replaced Eaker) brought innovative tactics to reduce the human and materiel costs. Astor recounts the many raids with clarity and vigor, traces the evolution of tactics, and captures the hard experiences of these young men in combat, on the ground, and in enemy camps. His many interviews of American airmen turn up some fascinating anecdotes, catching the grim realities of air combat in a way that more conventional strategic histories cannot. After V-E Day, the Eighth, having played a crucial role in the Allied victory, flew humanitarian missions, bringing food and medical supplies to starving civilians and POWs. Revealing and vivid personal sketches of the quiet heroes in a unit that suffered more lives lost than the entire Marine Corps in WW II. (16 pages b&w photos, not seen)
Pub Date: June 10, 1997
ISBN: 1-55611-510-5
Page Count: 480
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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by Bob Woodward & Carl Bernstein ‧ RELEASE DATE: June 18, 1974
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
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SEEN & HEARD
by Julie Scelfo illustrated by Hallie Heald ‧ RELEASE DATE: Oct. 25, 2016
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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