Another delightful excursion into nature by the always amusing Durrell, who's proving to be as prolific as many of his animal charges (Marrying Off Mother, 1992; The Ark's Anniversary, 1991— and 23 other titles). Once again, Durrell is off to collect another candidate for his admirable Jersey Wildlife Preservation Trust, which builds up breeding colonies of endangered species on the island of Jersey off the English coast. This time, his quarry is one of the strangest and least studied creatures in God's zoo—the elusive aye-aye, a rare lemur found only on Madagascar. To Durrell, it resembles nothing so much as ``a Walt Disney witch's black cat with a touch of E.T. thrown in''; most prominent of its many strange features (which include ``spoonlike ears turning to and fro independently like radar dishes'') is its elongated third finger, much sought-after by village sorcerers as a magic charm. Upon arriving in Madagascar, Durrell spends much of his time sitting on the toilet, a victim of the runs. But he gets around enough to admire the island's exotic markets, language, and women, and to deplore the deforestation that has denuded so much of the landscape and threatens the habitat of many species. Soon enough, as always in a Durrell book, the animals themselves take center stage. In addition to the chief target, Durrell collects endangered flat-tailed tortoises, gentle lemurs, and giant jumping rats the size of cats. He also spies the most elusive of Madagascar creatures, the puma-like Fosa, as well as hammerhead shark, ploughshare tortoises, and dense clouds of houseflies (``the tent poles were black with them, the table top a black moving tablecloth of them''). Finally, after funny tribulations, including an encounter with a native soothsayer, he scores six aye-ayes, now safe and snug and, one hopes, making baby aye-ayes in Jersey. A hearty ``aye'' for this one. (Eight-page color insert—not seen.)
Pub Date: March 10, 1993
ISBN: 1-55970-204-4
Page Count: 192
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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