This superlatively cute look at the bond between mother and child takes a proud place next to Martin Waddell and Patrick...
When Mama's brood is left alone, chick imaginations run wild.
The wee narrator (identified with a little white arrow and the modest word "Me") begins to cry when Mama leaves the coop to go pecking for grain. And so do siblings Ivan and Lily and Leonard and Shirley, all in a row. The worry soon escalates to a frantic speculation that she may never come back! (The page turns black, with only wings and eyes visible.) And what will they do if a fox comes?! (One chick becomes a caped crusader while the others hold up signs intended to scare the predator away.) A sudden noise sends them all into a frenzy! But it's just Mama, back with dinner. She has special eating instructions for each of her babies, and readers learn that the narrator is called Anthony. He's also apparently the youngest, because he wants to be just like his brothers and sisters, and eat very quickly, all by himself. Saudo's stylish chicks look like golden M&Ms; their feet and wings are see-through and outlined in white. Her illustrations are full of quirky, mischievous touches sure to bring smiles.
This superlatively cute look at the bond between mother and child takes a proud place next to Martin Waddell and Patrick Benson’s Owl Babies (1992). (Picture book. 3-5)Pub Date: March 1, 2012
ISBN: 978-1-926973-12-8
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)
Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.
Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-4521-6863-0
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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