An exquisite volume of most interest to students of art, church libraries, or large libraries with extensive art collections.
This striking version of the Nativity story is illustrated with reproductions of fresco paintings by the Italian renaissance artist Giotto.
The frescoes were painted in Padua, Italy, in about 1305 and are considered to be Giotto’s masterwork and among the greatest masterpieces of the Early Renaissance. These frescoes tell the story of Mary and Jesus, and portions have been reproduced for this book. They illustrate the familiar story, beginning with the appearance of the angel Gabriel to Mary, continuing through the birth of Jesus, and ending with the flight of Joseph, Mary, and Jesus into Egypt. The illustrations are exquisite from an artistic viewpoint, with finely detailed faces surrounded by golden haloes. The illustrations are set on one page each double-page spread, with the text set opposite in an attractive typeface on ivory paper with a decorative border above. The lyrical text is based on the four Gospels of the New Testament. There are no notes in the book about the sources or development of the text, and there are only a few sentences about Giotto, which is a shame, as further, specific information about the frescoes would have extended the use of the book in library collections.
An exquisite volume of most interest to students of art, church libraries, or large libraries with extensive art collections. (Picture book/religion. 9 & up)Pub Date: Sept. 1, 2015
ISBN: 978-988-8240-46-3
Page Count: 32
Publisher: minedition
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Convincing, humorous, warm, and definitely spooky.
Henry, the new boy in Barbara Anne Klein’s Seattle fifth-grade class, dresses oddly, but that isn’t the strangest thing about him.
Henry and narrator Barbara Anne (or Bitsy as her parents and grandmother call her) bond over their need to escape their assigned lunch table, and Barbara Anne soon discovers the subject of Henry’s absorbed sketching at recess: the boy who seems to be haunting him. Irrepressible, strong-minded Barbara Anne is not always aware of her limitations, and Siebel’s voice for her is both funny and warm. Henry battles a respiratory infection throughout much of the story even as he and Barbara Anne begin to realize that young Edgar, Henry’s ghost, did not survive the Spanish influenza pandemic in 1918. A session with a Ouija board and a letter and yearbook discovered in Henry’s attic tell part of the story. Edgar’s father’s journal, found in the public library archives, reveals the rest. Siebel cleverly weaves together the story of the developing friendships among Barbara Anne and her classmates and the story of Edgar’s friendship with Henry’s neighbor, Edgar’s playmate as a small child and now a very old woman. Henry, Barbara Anne, and Edgar present white; classmate Renee Garcia, who looks forward to eventually celebrating her quinceañera, and Barbara Anne’s teacher, Miss Biniam (“she looks like an Ethiopian princess”) are the only main characters of color.
Convincing, humorous, warm, and definitely spooky. (Ghost story. 9-12)Pub Date: July 2, 2019
ISBN: 978-1-101-93277-3
Page Count: 240
Publisher: Knopf
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
Disappointingly fails to coalesce.
Sometimes the scariest thing is growing up.
Halloween-loving Esther, who is implied Ashkenazi Jewish and White, has had her bat mitzvah, which makes her an adult in religious terms, but she’s not ready to let go of trick-or-treating, even when her parents say otherwise. She’s also not ready to move on to high school or to do anything about her feelings for her best friend, Agustín, whose name may cue him as Latinx. But when the Queen of Halloween freezes their neighborhood in permanent Halloween, Esther finds herself reconsidering the value of forward momentum. Fink, of Welcome to Night Vale podcast fame, tries to do a lot with his creepy premise, but heavy-handed, meaning-laden passages—for example, digressions about neighbors as Esther and friends flee through yards chased by a villain flinging razor-bristling apples—slow the pace to a crawl and leave little for the reader to discover. Esther is joined in her fight against the Halloween Queen (who has sent the adults into a magical Dream and stolen the children) by Agustín; Korean American Christian bully Sasha; and seemingly boring, default White dentist Mr. Gabler, all of whom serve as foils for Esther’s emotional growth as she learns to see past the surface. This reads like two books uneasily combined: one about growing up and discovering people’s value and the other a horror story with a fantastic sense of place and some wonderfully shivery (and not entirely resolved) details.
Disappointingly fails to coalesce. (Horror. 11-14)Pub Date: July 20, 2021
ISBN: 978-0-06-302097-9
Page Count: 288
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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