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A WOMAN IN ARABIA

THE WRITINGS OF THE QUEEN OF THE DESERT

An impressive anthology by a scholar who knows how to separate the wheat from the chaff within the massive amount of primary...

Gertrude Bell (1868-1926) shattered gender stereotypes while influencing British policy in the Middle East, particularly in the areas in and around present-day Iraq. Editor Howell (Gertrude Bell: Queen of the Desert, Shaper of Nations, 2007) brings the "female Lawrence of Arabia" to life through judicious selections from Bell’s massive public writings and personal papers.

Howell has arranged the text of her anthology by subject, ranging from Bell's talents as a poet and a linguist to her skills as a nation builder and kingmaker. Moving away from the realms of the arts and of policy, Howell also provides insights into Bell's love life, mostly through her subject’s own words. The overall effect is a biography of sorts, but it’s told from a vastly different perspective than traditional biographies of Bell by Howell and by Janet Wallach (Desert Queen, 1996). The truism that the past is prologue comes alive through Bell's adventures, especially her observation that trying to create a cohesive nation from the shards that became Iraq made no sense. Bell considered herself a citizen diplomat rather than a politician. She was suspicious of politicians, wondering if they ever abandoned self-interest. In Howell's biography of Bell, and even more so in this anthology, Bell comes across as a compassionate, erudite quasi-diplomat worthy of great admiration. Unlike so many of the rigid diplomats and politicians making decisions in England on the basis of a colonial mindset, Bell spoke the languages of those she wanted to help, all the better to gain reliable intelligence and establish trust. In addition to an introduction, Howell also includes a helpful chronology of her subject’s life.

An impressive anthology by a scholar who knows how to separate the wheat from the chaff within the massive amount of primary source material Bell left behind at her death.

Pub Date: Aug. 11, 2015

ISBN: 978-0-14-310737-8

Page Count: 320

Publisher: Penguin

Review Posted Online: May 13, 2015

Kirkus Reviews Issue: June 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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