A reminder of the rewards of taking the more challenging path.
Dissatisfied with her prescribed life, a young woman attempts to be bold.
As a member of the Charleston, South Carolina, social elite, Simons Parks Smythe has had her life planned out for her since birth. For a while she stuck to the script: She was a debutante, she attends functions at the exclusive social club Battery Hall, and her fiance, Trip, has the “law degree and southern pedigree” that make him a perfect fit for her world. But Simons is not satisfied with this life. Not only does she feel stalled in her career as a producer at a local news station, but she is also growing increasingly uncomfortable with the idea of marrying Trip. This discomfort is spurred by the less-than-perfect marriages she sees around her as well as Trip’s controlling behavior: “When I reached for a second helping of potatoes au gratin, Trip pressed his hand against my thigh. His signal, invisible beneath the table, told me not to stuff myself in polite company.” With repeated encouragement from her beloved grandmother Laudie to be brave, Simons must weigh her desire for comfort and familiarity against her newfound taste for freedom and individuality. From occasional references to Simons’ passion for environmental reporting and her soft critiques of the racism of Charleston high society—“It seems Battery Hall is even more backwards than I had feared”—Hagerty’s attempts to set Simons apart from her peers feel largely shoehorned-in and underdeveloped. That said, the rich depictions of the Old Charleston world and its peculiar social rules, as well as Laudie’s intriguing backstory, give this novel just enough grit to make it worth reading.
A reminder of the rewards of taking the more challenging path.Pub Date: Aug. 17, 2021
ISBN: 978-0-06-306886-5
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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