An expansive, if sometimes-dense, meditation on beauty.
Mosson blends personal reflection with broader historical context in this collection of free verse and metered poems.
The poet shares intimate thoughts and evocative scenes circling themes of memory, mortality, and nature. Remarkable places and people make up the foundation of the book’s first part, from a poem grounded in Oregon’s Mount Hood to recollections of a bygone grandmother. Tulips burst forth in the nation’s capital on a “seasonal seam between winter and spring” (“Domination of Tulips in Washington D.C.”). As a stunning day ends, families disperse to their homes or cabins while the speaker witnesses “the ocean’s heaving deepen to bruised navy” (“Long Island Waves of Childhood”). Mosson also invites readers into the art world, where he contemplates Hans Hofmann’s painting “Autumn Gold” and Henry Moore’s bronze “Seated Woman” sculpture. Those unfamiliar with or uninterested in Mosson’s niche interests, as in a series of poems inspired by American artist James McNeill Whistler’s sketches, may find their attention waning. However, in the book’s second section, the poet spins vignettes featuring everyday people, including Sue, a widowed mother of two serving tea to gentleman caller Bert, and Jan, a flight attendant abandoned by her husband. Mosson takes on soldiers’ perspectives in “Letter by a French Soldier, 1916, Found at Verdun” and “Visiting Verdun.” He muses on a haunted Baltimore, Maryland, destination in “Ghost of Green Mount Cemetery.” The book concludes with “Summer Voyage at Thirty-Eight,” effectively juxtaposing the weariness of caring for a young family with the glorious resurgence of spring and summer. Mosson is a poet’s poet whose craft is finely honed, if sometimes labyrinthine. His reverence for nature undergirds the poems’ picturesque descriptions, like “Worn obelisks of black granite / bake beneath barely touching, thin pines / like jaw-bones of fossilized gods” in “Leaving the Black Hills,” or how “the plunged sun spills orange and brass / to ooze purple over the porous land” in “Walking the Horizon.”
An expansive, if sometimes-dense, meditation on beauty.Pub Date: April 22, 2025
ISBN: 9781625494801
Page Count: 90
Publisher: David Robert Books
Review Posted Online: June 26, 2025
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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