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COME AUGUST, COME FREEDOM

THE BELLOWS, THE GALLOWS, AND THE BLACK GENERAL GABRIEL

Despite inevitability, an anguished tale told with poetry and heart

Inspired by the Haitian slave uprising led by black general Toussaint L’Ouverture, Gabriel, a literate Virginia slave and blacksmith, attempts to parallel that effort on his own turf.

Gabriel and Thomas Henry Prosser, the master’s son, were raised together since both were nursed at Gabriel’s mother’s breast, Gabriel rarely getting his fair share. But the power dynamics of slavery fully destroys their relationship as they age, until they are at odds with one another’s goals—Gabriel, hoping to lead his people to freedom in the aftermath of the American Revolution; Thomas, aiming to squelch the effort. Based on a true story of planned rebellion by “Prosser’s Gabriel,” Amateau deftly tucks well-researched period documents into the narrative at opportune moments. Her use of language is both startling (“To Gabriel, Ma’s whip marks resembled the earth between the tobacco hills, newly tilled and ready for planting”) and gratifying (“…he went only to find the girl who could look into his smile and see the deep and secret life inside him”). As an adjunct to classroom study, readers will be drawn in by Gabriel’s determination and motivations, including his devotion to his beloved bride, Nanny. Yet while historically accurate and beautifully written, the plotting ultimately lacks the tension or uncertainty that will drive readers to the finish. 

Despite inevitability, an anguished tale told with poetry and heart . (Historical fiction. 12 & up)

Pub Date: Sept. 11, 2012

ISBN: 978-0-7636-4792-6

Page Count: 240

Publisher: Candlewick

Review Posted Online: July 24, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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