Meticulous almost to a fault, but flashing with human interest and keen environmental insight: an illuminating march through...
Magazine journalist Klucas debuts with a patiently detailed unfolding of the environmental missteps that have marked the entire history of Leadville, Colorado.
The town sits atop an impressive array of mineral deposits: silver and gold, copper and manganese, molybdenite, and, of course, lead. This variety, explains Klucas, allowed Leadville to survive when other one-horse mining burgs went bust. During its heyday, the town hosted Oscar Wilde and Sarah Bernhardt at the opera, made a multimillionaire of Meyer Guggenheim, and generated enormous quantities of waste. Even during lean times, Leadville was a community tightly knit by friendship, camaraderie, and pride in its mining tradition. But tunnels often burped a gush of suspended metals into the Arkansas River, creating Technicolor hues. One spectacular belch coincided with the rise of environmental concern across the country, bringing the EPA, the CDC, and other federal agencies to Leadville’s door and earning it a reputation as the Rockies’ Poison Central. At this moment, the story gets really interesting, and the author’s clarifying touch pays off. The defenders of the environment came on like gangbusters, alienating the citizenry to such an extent that they found the EPA more toxic than the tailings. Klucas shows that all concerned parties acted in their own worst interests: the regulators creating a stultifying bureaucracy, the mine operators treating the problem as a legal rather than an engineering issue, the Colorado attorney general filing an absurd class-action lawsuit. “Any law that invites this much litigation is poorly drafted,” one judge commented, referring to the Superfund’s severe liability provisions and general clumsiness. “Why should you pass a law that is so complicated that everyone spends more on lawyers than they do on the technical side solving the problem?” Character sketches provide a refreshing break from all the legal squabbling and stalling; Klucas makes even the drab players as bright as the river.
Meticulous almost to a fault, but flashing with human interest and keen environmental insight: an illuminating march through environmental politics at a turning point in green awareness.Pub Date: Nov. 22, 2004
ISBN: 1-55963-385-9
Page Count: 320
Publisher: Shearwater/Island Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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