Exhausting.
Third in the Rebel Angels series (Bloodstone, 2013, etc.), an otherworld fantasy nominally for young adults, which first appeared in the U.K.
Power-hungry Sithe witch-queen Kate NicNiven has done a deal with an evil power to give her control over the Veil separating the mortal realm from that of the Sithe. The only thing restraining her, a talisman called the Bloodstone, turned out to be a person: Rory, son of rebellious Sithe warrior Seth MacGregor. In the Sithe world, Rory, now a restless teenager, chafes at the constraints Seth imposes on him, not understanding what a terrible threat Kate represents or how much his father loves him. With no companions his own age, Rory frequently slips through the Veil into the mortal realm. Here, he meets and immediately admires the spirited Hannah, a girl with an absent father and a mother who cares nothing for her, not to mention her mother’s abusive live-in boyfriend. Rory tricks Hannah into crossing the Veil, where she immediately feels at ease despite the hostility of many of the Sithe—neither lovable nor noble, they’re brutal and often bloodthirsty partisans. Previously, Kate maneuvered Seth into killing his beloved half brother, Conal, and has already set in motion a tortuous (and, to the reader, largely invisible) plot to destroy him and turn his followers against him. The characters—who are mostly supposed to be very, very old—sound and act like teenagers, showing little sense of proportion and ramping up every confrontation to a pitch of earsplitting intensity. This relentless tangle of passion, politics, and violence, and confusing multiple narrators and viewpoints, while fascinating to series regulars, has pretty much lost any claim to independent intelligibility.
Exhausting.Pub Date: July 1, 2014
ISBN: 978-0-7653-3324-7
Page Count: 432
Publisher: Tor
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
Fun juvenile fiction with lively, precise narration and a strong tendency to allegory.
Whimsical quest fantasy.
Caught between the dependence of childhood–particularly the lack of a driver’s license–and the pubescent yearning for autonomy, 13-year-old Carrie faces another boring summer day at home. At her mother’s urging, she settles down in her father’s rock garden to tackle one of the remaining titles on her summer reading list, The Hobbit. Her reading is interrupted, however, when Earth momentarily scrapes Vale, a planet from another dimension. This improbable intergalactic event deposits Carrie on a world of talking birds, animals and insects, where her attention is immediately arrested by a shard of glowing amber that speaks to her, revealing itself to be Alma, a goddess trapped eons ago by Lucifer. To be freed, Alma needs Carrie to deliver the amberstone to Lobo, the Great Wolf Spirit, an appropriately Tolkienesque quest that Carrie readily takes up. Aided by a pill bug named Tilt and two youths from the near-utopian city of Safe Keep, Carrie faces natural disasters, ravenous predators and, most daunting of all, the prevailing view that the amberstone should be returned to Safe Keep rather than to Lobo. Finally, Carrie is forced to choose whether to listen to her instincts or to the voices of those who have helped her. Clearly an allegory about emerging from adolescence to find one’s moral compass, Carrie’s journey is dominated by two spiritual systems, one represented by the Guardians–ethereal, Miltonic angels who serve the Creator and guard Safe Keep–and the other embodied in Lobo, Alma and even the imps of Bleak Meadow. Lobo and Alma embody the intuitive and immanent portions of Carrie’s youthful identity, while the Guardians are the transcendent, superego of the adult world–how she chooses to balance these elements will say much about her path to maturity. Heavily influenced by Tolkien and Lewis Carroll, Lecoq’s promising debut is a lighthearted amusement powered by crisp and economic descriptive prose. The dialogue, unfortunately, rarely matches the quality of the narration, and this weakness dilutes the drama of Carrie’s adventures. Billed as young-adult fare, this would appeal more to an even younger audience.
Fun juvenile fiction with lively, precise narration and a strong tendency to allegory.Pub Date: July 2, 2009
ISBN: 978-1-4392-3114-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A well-shaped piece of exotica, full of danger, dash, allegory and love under the banana tree.
A smart, vibrant adventure romance wrapped in a quest, fashioned to touch a wide audience.
The setting for this tale is India–the India of today, but also the India of yore and that of Western imagination, with its hot colors, heavenly scents and rich mythic history. Eighteen-year-old Kelsey Hayes finds herself in the subcontinent in the company of a circus tiger she was caring for back in Oregon. The tiger, named Dhiren, is also Alagan Dhiren, Prince of Mujulaain, commonly known as Ren–but that was back in 1657 AD, the year a curse was placed on him by Lokesh, a raja greedy for wealth and power whom Ren had thwarted. Kelsey can break the curse, and that quest takes the protagonists through challenges that would make Steven Spielberg proud. Houck has a mostly steady hand with the story’s pacing, purposeful and deliberate as she takes her time to unspool colorful nuggets of Indian history and flesh out each milieu–visiting, for instance, the butler’s pantry and spice room in Ren’s house, or the elephant’s stables and the king’s balance in the fabled city of Hampi. But she drags her feet when detailing Ren and his brother’s squabbles and takes forever to make even the most demure hay between Kelsey and Ren. Still, when she does it’s sweet fun–“I have no idea how long I was kissing him like this...My bare feet were dangling several inches from the floor.” Minor missteps–what is a GPS doing in a quest?–don’t seriously detract from the fun. Houck suffuses the book with the sheer otherness of India–monkey gods, battle elephants, caste relationships, the drape of a sari and the possibility of pure magic. Readers can’t throw a brick without hitting one shape-shifter or another in these pages. Houck conveys the mysteries with ease and clarity, drawing in readers, who’ll be glad for the wide-open ending.
A well-shaped piece of exotica, full of danger, dash, allegory and love under the banana tree.Pub Date: Sept. 22, 2009
ISBN: 978-1-4392-5043-3
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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