by Gillian Rubinstein ‧ RELEASE DATE: Oct. 1, 1995
Rubinstein (Dog In, Cat Out, 1993, etc.) takes a provocative view in her novel that is unrelenting in its savagery and grimness. Her 21st-century Australia is familiar enough, with families divorcing and children left homeless, but she also foresees the decline of nationalism under a tidal wave of global corporate power to such an extreme that countries no longer guarantee or protect an individual's rights. No one notices when teenage Joella is kidnapped with her brother, Peter, and adopted sister, Liane, by the mysterious and charismatic Hythe. He takes them aboard a rocket ship to the distant planet Vexa. While they grieve for home, Hythe forces them to compete as acrobats with other adolescents in the Galax-Arena. Joella is spared the sadistic cruelty of the game, but her siblings grow to enjoy it. She becomes a pet to a Vexan who reveals to Joella that she is actually a frail old woman under grotesque alien makeup—and that they are still on Earth. The games are part of a corporate project to unlock the secret of eternal youth. Although the siblings' escape and subsequent murder of Hythe are suitably visceral, it is the lingering sense of unease and apathy they find back home that is insidious and haunting. (Fiction. 13+)
Pub Date: Oct. 1, 1995
ISBN: 0-689-80136-X
Page Count: 170
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
Share your opinion of this book
More by Gillian Rubinstein
BOOK REVIEW
by Gillian Rubinstein & illustrated by Victor Lee
BOOK REVIEW
BOOK REVIEW
by Gillian Rubinstein & illustrated by Ann James
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
Share your opinion of this book
More About This Book
PERSPECTIVES
by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
Awards & Accolades
Likes
50
Our Verdict
GET IT
New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Share your opinion of this book
More by Kathleen Glasgow
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.