A readable and in-depth look at how sins of the past can live on, and how one can confront them.
A study of how emotional dysfunction can take on a generational aspect.
“If we really want to respect the generations gone by,” writes licensed counselorBirkemeier in this work of nonfiction that melds genealogy and personal psychology, “we must learn from them, and if possible, grow beyond them.” In a long process of “dismantling the dysfunction” of her past, the author sought to untangle the effects of lies and distortions; for example, she found out only later in life that her mother gave her up for adoption, took her back, and then gave her up for adoption a second time. She also notes that her memories contain gaps because she may have been “drunk, high or maybe both my entire high school career.” She gradually adopted a mantra that would guide her later research: “Breaking cycles. Slaying shame. Finding freedom.” In these pages, Birkemeier looks back at her own family tree—specifically, at ancestors’ toxic behaviors and how their stories carry into later generations, allowing “layers of dysfunction to grow.” The author breaks these lessons into small segments and follows each with a moment for reader reflection that begins with the greeting “Dear Friend” (“it is here we should pause and discuss something important”). Birkemeier employs a fast-paced and engagingly straightforward style as she tells stories from her childhood and young adulthood, and this creates a low-stress atmosphere that’s welcoming to readers dealing with difficult family memories. The author also frequently explains biochemical aspects of trauma, noting, as when she notes that the hyperstimulation of the amygdala can leave it permanently “in the ‘on’ position,” causing one to sense danger everywhere; these give her personal reflections even greater heft. The end result is an intriguing study of the legacy of emotional baggage, ultimately cast in a tone of optimism: “You don’t know what you don’t know until you know it,” she writes. “Then, when you know, you must do something with it.”
A readable and in-depth look at how sins of the past can live on, and how one can confront them.Pub Date: March 18, 2021
ISBN: 978-1-73-295452-6
Page Count: 356
Publisher: Out Loud Publishing
Review Posted Online: June 28, 2021
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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