Like the TV show it’s about, nothing in this novel is as it seems, but the journey to discover the truth is out of this...
Ten teenagers are launched into “space” to entertain insatiable TV audiences in Damico’s satirical novel.
Everything on TV has already been done. Enter Chazz Young, the CEO of DV8 Productions. Chazz cooks up the idea to send 10 teens into space and to film everything. A shaky collaboration with the scientists of the National Association for the Study of Astronomy and Weightlessness and some expensive special effects result in Waste of Space. The teens aren’t actually in space, but they and viewers don’t know that. The cast checks every reality TV box, from the ambiguously “exotic” party girl to the black, gay diversity pick. As America tunes in, the teenagers overcome unrealistic space obstacles. Ratings go up, but behind the scenes, cast members are beginning to doubt they’re in space, Chazz is desperately trying to up the ante, and NASAW is working on a side project. Suddenly, all transmissions from the “ship” are stopped, and access to it is cut off. None of the teenagers (or Chazz) knows what’s going on. All they know is that they’re in trouble. Told in aired and unaired video transcripts, phone transcripts, and personal recordings, the information in this novel has been compiled by an unnamed intern-turned-whistleblower. Everything that happens is over-the-top and ludicrous but cleverly crafted, the cynicism slathered on with layers of foulmouthed geniality.
Like the TV show it’s about, nothing in this novel is as it seems, but the journey to discover the truth is out of this world. (Fiction. 12-18)Pub Date: July 11, 2017
ISBN: 978-0-544-63316-2
Page Count: 512
Publisher: HMH Books
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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