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IN SEARCH OF CLEO

HOW I FOUND MY PUSSY AND LOST MY MIND

Well organized but mostly frivolous and at times implausible.

An actress searches for her cat in Los Angeles.

After Cleo, Gershon’s beloved cat, was lost by her flaky assistant, she went to extreme lengths to find him. She skulked around West Hollywood in the early-morning hours with a can of tuna and a knife, meeting a kindly newspaper deliveryman along the way; she consulted Ellen Degeneres’ pet psychic; she got spit on by a Santeria priest during a live chicken sacrifice; and she attended workshops by scam-artist swamis. In the end, none of these desperate, expensive measures were necessary: Cleo was returned by someone who saw one of Gershon’s many “lost cat” posters. When Sonia, the pet psychic, first told her that “two spirits” would help her find Cleo, she immediately interpreted that to mean her uncle Jack and her friend Ted, both of whom had passed away recently. She took this prediction as evidence of the psychic’s reliability, but, later in the book, she wonders if the newspaper deliveryman was one of the spirits. Gershon insists on a sort of magical connection between her and the entire cat species; the stories she uses to support this assertion—e.g., being “invited” by a cat to a private cat party in rural Vermont—strain credulity. Gershon thoughtfully weaves the wacky cat-finding stories with stories about her past cats and significant people in her life. Though these anecdotes aren’t always fascinating, they are well-integrated into the story and give the thin premise of this book some needed heft.

Well organized but mostly frivolous and at times implausible.

Pub Date: Oct. 11, 2012

ISBN: 978-1-592-40766-8

Page Count: 176

Publisher: Gotham Books

Review Posted Online: Aug. 8, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE FIXED STARS

A courageous and thought-provoking memoir.

A bestselling memoirist’s account of coping with an unexpected midlife evolution in sexual identity.

When Wizenberg, who runs the popular Orangette blog, received a jury duty summons, she never thought that it would lead to divorce. In court, her eyes were immediately drawn to a female defense attorney dressed in a men’s suit. Her thoughts lingered on the attractive stranger after each day’s proceedings. But guilt at being “a woman wearing a wedding ring” made the author feel increasingly guilty for the obsession that seized her. Her husband, Brandon, a successful Seattle restaurateur, and their daughter were the “stars” that guided her path; the books she had written revolved like planets around the sun of their relationship and the restaurants they had founded together. However, in the weeks that followed, Wizenberg shocked herself by telling her husband about the attraction and suggesting that they open their marriage to polyamorous experimentation. Reading the work of writers like Adrienne Rich who had discovered their lesbianism later in life, Wizenberg engaged in deep, sometimes-painful self-interrogation. The author remembered the story of a married uncle, a man she resembled, who came out as gay and then later died of AIDS as well as a brief lesbian flirtation in late adolescence where “nothing happened.” Eventually, Wizenberg began dating the lawyer and fell in love with her. Wizenberg then began the painful process of separating herself from Brandon and, later, from their restaurant businesses that she had quietly seen as impediments to her writing. Feeling unfulfilled by Nora, a self-professed “stone top” who preferred to give pleasure rather than receive it, Wizenberg began to date a nonbinary person named Ash. Through that relationship, she came to embrace both gender and sexual fluidity. Interwoven throughout with research insights into the complexity of female sexual identity, Wizenberg’s book not only offers a glimpse into the shifting nature of selfhood; it also celebrates one woman’s hard-won acceptance of her own sexual difference.

A courageous and thought-provoking memoir.

Pub Date: May 12, 2020

ISBN: 978-1-4197-4299-6

Page Count: 256

Publisher: Abrams

Review Posted Online: Feb. 16, 2020

Kirkus Reviews Issue: March 15, 2020

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LET ME FINISH

Graceful and deeply felt.

A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.

The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.

Graceful and deeply felt.

Pub Date: May 8, 2006

ISBN: 0-15-101350-0

Page Count: 304

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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