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THE WISE WOMEN

With tidy resolutions, this novel doesn’t pack the punch of some of its peers, but it's a fine addition to the collection.

When misfortune finds the three women of the Wise family, they are forced to wise up to their historic dysfunction.

It begins with the dissolution of Clementine Wise’s marriage, which comes with a heap of debt and threatens the careful life she’s built for her 6-year-old son. Clementine’s being in trouble is a call to action for her older sister, Barb, though Barb has overleveraged herself financially as well as in the volume of support she is able to give her loved ones and business associates. Swooping in to rescue them both is their mother, Wendy, a storied advice columnist recently edged out of her magazine gig and fresh into her third marriage. Though she initially seems like a narcissist bent on making up for past neglect, Wendy proves to be startlingly open-minded and humorously unpredictable in her meddling (one iffy but pivotal plot thread has her bonding with an Instagram influencer). The questions are: Will Barb forgive her mother for leaving her to largely raise Clementine in the wake of their father’s untimely death? Will Clementine develop a backbone and pave her own way rather than doing what the other Wise women think is best for her? The answers are unsurprising. While the novel begins with lots of human complexity and daily-life detail, characters are soon giving honest, heartfelt speeches about changing their lifelong attitudes, and everyone is taking the sage advice of everyone else. The characters are warm and quirky in an enjoyably familiar way, and the settings—mostly a couple of lower-key White neighborhoods in Brooklyn and Queens—are nicely detailed.

With tidy resolutions, this novel doesn’t pack the punch of some of its peers, but it's a fine addition to the collection.

Pub Date: April 5, 2022

ISBN: 978-0-06-311-184-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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