Thirteen-year-old Sarah’s new classmates at Glades Academy don’t welcome her—she’s there on scholarship, and her mother works in the school cafeteria. On a field trip to the Everglades, Sarah seizes the chance to get away by sneaking off on an airboat ride through the saw-grass marsh with the guide’s 15-year-old son, Andy, taking only her backpack, a camera and some mosquito spray. A stop at a remote fishing camp ends in disaster when the boat sinks, and they’re stranded, surrounded by alligators and snakes, with half a bottle of Gatorade and a can of SPAM. Andy knows what they’re up against, but Sarah refuses to believe that they must leave the tiny island to trudge the 10 miles back to land. Wildlife and vegetation are vividly described; Sarah’s fear is palpable in scenes of near-disaster, and readers will cheer when she and Andy make it safely out of the swamp after five days. However, the first-person narrative is uneven, marred by gaps that make it hard to fully visualize some situations, and there are too few transitions to support some rather sudden instances of closeness between Sarah and Andy. Rorby cleverly offers only subtle hints that Sarah is African-American and Andy is white until late in the story, adding depth to this survival story framed within the story of an outsider. (Adventure. 12-14)
Pub Date: March 1, 2011
ISBN: 978-0-7613-5685-1
Page Count: 264
Publisher: Carolrhoda
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
A proficient caper spiced up by Violet's eye for art
A van Gogh heist, a trip to Japan and a yakuza attack: Could there be a better summer?
Violet's an otaku—a comics-loving Japanophile, derided as a "Manga-loid" by her school's mean girls—who draws her own manga and makes scarves out of vintage kimonos. Her dreadful summer plans (working at the comic-book store) are delightfully derailed when she has to join her estranged artist father in Tokyo, where he's been commissioned to paint a mural. But what's this? Her father's employers have been relieved of three van Gogh drawings, and Violet knows just the suspicious characters who might be guilty! The plucky detective investigates in both Seattle and Tokyo, following suspects around town in a tangled blonde wig and deciphering codes incorporated in both art and kanji. Soon the mystery begins to resemble an episode of Violet's own manga, Kimono Girl, complete with dangerous yakuza (Japanese mobsters), blackmail letters and FBI stings. Eagle-eyed Violet's sleuthing is assisted by her keen love of art, from manga to van Gogh to ukiyo-e, Japanese woodblock prints.
A proficient caper spiced up by Violet's eye for art . (Fiction. 12-14)Pub Date: June 14, 2012
ISBN: 978-0-670-01332-6
Page Count: 384
Publisher: Viking
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: May 1, 2012
Moving and necessary.
Much ink has been worthily spent calling attention to the harrowing experiences of the Lost Boys of Sudan. So what of the girls?
Addressing a severe imbalance in the amount of attention paid to girls and women victimized in Sudan’s long civil war, the co-authors (one of whom has worked in East Africa) offer a fictional memoir. It wrests a fictional Didinga child from her settled life amid family and close neighbors and sends her on a long, heartbreaking trek to a huge refugee camp in Kenya. Relating her tale in present tense in a distinct, spirited voice (“That is one thing about me. I don’t get scared”), Poni goes on to describe her narrow escape from that camp and a forced marriage in the wake of a United Nations worker’s failure to honor a promise of help. She recounts her later stay in a small women’s shelter in Nairobi and, at last, the strenuous process of qualifying for a refugee program in far-off America. Though Poni learns to distance herself emotionally from the atrocities she witnesses, reminders of home force her to make agonizing choices along the way. Readers will come away with clear pictures of gender roles in Poni’s culture as well as the South Sudan conflict’s devastating physical and psychological effects. Two afterwords and a substantial bibliography (largely on the Lost Boys, perforce) will serve those who want to know more.
Moving and necessary. (timeline, glossary, maps) (Fiction. 12-14)Pub Date: March 18, 2014
ISBN: 978-1-55498-416-9
Page Count: 192
Publisher: Groundwood
Review Posted Online: Feb. 4, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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