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ORDINARY GENIUSES

MAX DELBRÜCK, GEORGE GAMOW, AND THE ORIGINS OF GENOMICS AND BIG BANG COSMOLOGY

An exuberant dual biography that integrates developments in quantum physics, cosmology and genetics since the 1920s with the...

Segrè (Faust in Copenhagen: A Struggle for the Soul of Physics, 2007, etc.) explores the extraordinary lives and scientific accomplishments of two far-from-ordinary men, Max Delbrück and George Gamow.

The author explains why he calls them “ordinary” geniuses, despite the fact that they “led two of the most important science revolutions of the twentieth century.” Both were big-picture scientists, quantum physicists unwilling to rest on their laurels and unafraid of mistakes. Just as Kepler's discovery of the elliptical orbit of planets awaited Newton's gravitational theory for its realization and Bohr's model of the atom, despite being in error, was the inspiration for quantum mechanics, so it was Delbrück's research into the origins of life that inspired the work of Crick and Watson and Gamow's effort to explain the origin of atoms that earned him the title of the father of modern cosmology. In fact, Segrè’s title appears to be ironic. He explains that their genius was ordinary only in comparison with the towering greats such as Einstein and Heisenberg. The author writes extensively about how Bohr supported and encouraged their work and organized fellowships for them so that they could participate in the stimulating atmosphere of his Copenhagen Institute in the formative stage of their careers, and how they sought to replicate that environment as teachers in America, where they immigrated on the eve of World War II. In the author's opinion, their “ordinary genius” was the result of qualities that we all can share—judgment, character, perseverance and willingness to think outside of the box—although he deplores the short-term practical goals that have come to dominate the scientific establishment in recent years.

An exuberant dual biography that integrates developments in quantum physics, cosmology and genetics since the 1920s with the lives of these two scientists.

Pub Date: Aug. 22, 2011

ISBN: 978-0-670-02276-2

Page Count: 352

Publisher: Viking

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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THE LAST BLACK UNICORN

Both entertaining and grippingly introspective, Haddish’s take-no-prisoners tale is a testament to self-will and how humor...

The stand-up comedian and actress opens up about her past and the perils of being a woman in comedy.

In her uncensored and often hilarious debut memoir, Haddish reveals pivotal events from her personal life that helped propel her toward the stage. “I got into the entertainment business so I could feel accepted,” she writes. “And loved. And safe.” After learning about the trials of her early years, readers will appreciate how trying to make a roomful of strangers laugh could prove easier than negotiating the minefield of the author’s home life. Though somewhat dismissive of her uncanny ability to rise above adversity, Haddish provides a colloquially written rags-to-riches story that is both impressive and harrowing. Abandoned by her father at age 3 and forced to live with her grandmother at 8, after her mother was in a devastating car accident that caused permanent brain damage, Haddish spent years taking care of her younger siblings or being abused while in foster care. She turned to humor as a defense mechanism, getting her comedic start as a teen working as an “energy producer” at bar mitzvahs around Los Angeles. Once her grandmother learned she would no longer receive financial support for caring for her granddaughter, she turned Haddish out, causing her to become homeless at 18. At 21, the author’s stepfather told her that not only was he responsible for the accident that had forever changed her mother, but that it had been meant to kill her and all her siblings so he could cash in on the life insurance. After learning this, Haddish says she started dating policemen. “It’s always good to have police friends,” she writes, “especially black police, because there aren’t a lot of them.” The author’s unrelenting positivity and openness about how insecurities about her own self-worth led to poor decisions later in life offer important lessons and hope for others seemingly trapped in toxic relationships.

Both entertaining and grippingly introspective, Haddish’s take-no-prisoners tale is a testament to self-will and how humor can save your life.

Pub Date: Dec. 12, 2017

ISBN: 978-1-5011-8182-5

Page Count: 288

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 26, 2018

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DISPATCHES

He came home eventually, to do the “Survivor Shuffle” and miss Vietnam acutely, and he writes with a fierce, tight...

“Vietnam, man. Bomb ’em and feed ’em, bomb ’em and feed ’em”—a chopper pilot summarized the war strategy for Herr.

And with Herr’s belated volume of unfiled dispatches from the front, the awareness grows that this war—like no other since WWI—continues to produce a rich lode of literature, part litany, part exorcism, part macabre nostalgia. Like his buddies Scan Flynn and Dana Stone—later MIA in Cambodia—Herr was a correspondent with a license to see more than just a single mud hole. Using the “Airmobility” of the helicopters, he hopscotched the country from Hue to Danang to the DMZ to Saigon (“the subtle city war inside the war” where corruption stank like musk oil). He was at Hue during the battle that reduced the old Imperial capital to rubble, at Khe Sanh when the grunts’ expectations of another Alamo were running high. Between mortar shells and body bags he reflected on the mysterious smiles of the blank-eyed soldiers, smiles that said “I’ll tell you why I’m smiling, but it will make you crazy.” And Herr, who is full of twisted, hidden ironies, is all wrapped up in the craziness of the war, enthralled by the limitless “variety of deaths and mutilations the war offered,” and by the awful “cheer-crazed” language of the official communiques which always reported spirits high, weather fine. He knew, and his buddies knew, that this kind of reportage was “psychotic vaudeville”—though not for a moment would he deny the harsh glamour of being a working war correspondent. 

He came home eventually, to do the “Survivor Shuffle” and miss Vietnam acutely, and he writes with a fierce, tight insistence that never lets go.

Pub Date: Nov. 8, 1977

ISBN: 0679735259

Page Count: 276

Publisher: Knopf

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: Nov. 1, 1977

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