Visual beauty plus the beauty of closeness in sad times. Cuddle close for this one.
This Italian import asks readers to consider: What if one friend needs to hibernate and the other doesn’t?
The forest is turning “rich amber, burned orange, and chestnut brown.” Little Red, a burnt-orange fox with a sharp snout, revels in the camouflage, excited to go unseen by Hazel the dormouse. Before readers can grasp the wisp of a predator-prey implication, the page turn curves lightly in the opposite direction: Hazel and Little Red are best friends, blissfully frolicking together in the autumn leaves. The hiding is for hide-and-seek. This joy is fleeting, though, because “the smell of winter mean[s] one thing: loneliness.” The fox is the vulnerable one; Hazel’s about to hibernate. Hazel’s burrow—a two-storied teapot featuring a duvet-covered bed, an oven, and tea towel—will hold Hazel all winter long, leaving Little Red alone and forlorn. Proietti’s gently textured fox fur, grasses, plants, and skies are softly melancholy. Close-ups (Hazel dozing off while holding Little Red’s ear) alternate with landscapes: half-bare trees whose trunks are starkly discrete, symbolizing winter’s isolation; the sun hanging low in a pale, yellow-gray sky as the two friends sit motionless. Eventually, Hazel and Little Red fall asleep together outside the teapot. Whether this solves the problem or merely postpones it, their affection is a solid comfort.
Visual beauty plus the beauty of closeness in sad times. Cuddle close for this one. (Picture book. 3-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-63655-004-6
Page Count: 28
Publisher: Red Comet Press
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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