Ferocious and riveting.
Italy at the turn of the 21st century is a tough place to be poor and female.
In her English-language debut, Caminito paints a brutal portrait of working-class life reminiscent of Elsa Morante’s History and gives us a narrator as seething and self-damaging as Lucy Snowe in Charlotte Brontë’s Villette. She creates a voice all her own, however, as the narrator (who gives her name only at the very end) chronicles her childhood and adolescence on the margins of Italian society while her redoubtable, impossible mother battles an indifferent bureaucracy to get permanent housing for a crippled husband and four children. Antonia Colombo embarrasses her daughter with loud confrontations with anyone who tries to keep the family at the bottom of the heap and maddens her with unceasing demands that she excel in school so she can have a better life than her mother. “I judge her and I do not forgive her,” declares the narrator. Painfully aware that she lacks the resources and confidence of other students, she reacts to all kindness with fear and rejection; since her mother has never expressed love, she doesn’t know how to either give or receive it. Antonia manages to move the family from Rome’s slums to public housing near a lake outside the city, but even here, they stand out as especially underprivileged, and the narrator is subjected to merciless teasing. When one particularly nasty boy cuts the strings on a tennis racket that her mother skipped paying bills to buy, she discovers a well of violence and rage that will serve both to protect her and isolate her as she grows to adulthood. Caminito’s gripping narrative takes many twists and turns but always remains focused on her compelling protagonist, so painfully vulnerable and unhappy that we understand even her most egregious acts. If only she could forgive herself for what life has made of her.
Ferocious and riveting.Pub Date: July 8, 2025
ISBN: 9781954118669
Page Count: 320
Publisher: Spiegel & Grau
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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