by Giulio Boccaletti ‧ RELEASE DATE: Sept. 14, 2021
An ingenious lesson in geopolitics.
A tour de force world history focused on water and how we use it.
Climate scientist Boccaletti, chief strategy office of the Nature Conservancy, begins with an emphatic denial that “water is an inert backdrop on the stage of human events.” To prove his thesis, he delivers an expert water-centered history of human progress from the time we became sedentary 10,000 years ago. “The story of water,” writes the author, “is not technological, but political.” Agriculture produces far more food than hunting and gathering but requires massive amounts of water. Depending on rain is unreliable, so centuries ago, farmers began to harness the power of wells, local rivers, canals, and irrigation projects, which preoccupied early governments as much as warfare. Ambitious cultures paid attention to transportation by water, which is 10 times more efficient than by land. In Boccaletti’s view, an essential feature of the rise of the nation-state in the 17th century was increased security of property, which produced an explosion of investment in water infrastructure. By the end of the 19th century, he writes, the “great American rivers…would become the basis for the rise of the American republic as the dominant economy of the twentieth,” the “hydraulic century.” Hydropower, not hydrocarbons, powered the electrification of America. Opening with the spectacular Panama Canal in 1904, the U.S. spent much of the 20th-century attempting to repeat the success of the Tennessee Valley Authority and Hoover Dam around the world, with spotty success. These efforts peaked during the 1970s, after which water-led development seemed to fall out of fashion—until, out of the blue, China appeared on the scene, built the Three Gorges Dam (“the largest single piece of infrastructure in the world”), and took the lead in spreading its technology around the world. “It may still be that if the twentieth was the American Century,” writes Boccaletti in this astute global study, “the twenty-first will be the Chinese one.”
An ingenious lesson in geopolitics.Pub Date: Sept. 14, 2021
ISBN: 978-1-5247-4823-4
Page Count: 400
Publisher: Pantheon
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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