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RUDE REPUBLIC

AMERICANS AND THEIR POLITICS IN THE NINETEENTH CENTURY

A substantial, valuable study. (22 b&w illustrations)

Altschuler (Changing Channels, 1992) and Blumin (History/Cornell) debunk the supposed “golden era” of American electoral

politics: 1840 through 1860, when voter turnouts approached 80 percent in many elections. Now that turnouts have dropped to record lows and even Op-Ed columnists complain that current political campaigns are painfully tedious, one might be tempted to regard the decades leading up to the Civil War as halcyon days of a flourishing democracy carefully managed by a concerned citizenry. The authors warn against “using the nineteenth century as a club with which to beat subsequent generations,” pointing out that the majority of Americans were then barred from voting by considerations of gender or race. They follow seven representative towns through three election cycles (1840–42, 1850–52, and 1858–60), observing both active participants and bystanders. Even among those who enjoyed the franchise, politics comprised an enormous range of experiences and degrees of involvement, from active partisanship to the carnival atmosphere generated by campaign bonfires and “jubilees” for those on the fringes. The party system effectively mobilized voters through advertising, entertainments, and plain bribery, but it also distanced most citizens from the real decision-making taking place among professional pols (mostly lawyers) in the notorious smoke-filled back rooms. Journalists and reformers of the era criticized the political arena as a sinkhole of vice and crudeness—at best, an unpleasant duty for gentlemen—and cartoonists savagely caricatured repulsive party bosses and uncouth voters. Drawing on party annals, newspaper reports, personal correspondence, and journals, Altschuler and Blumin convincingly demonstrate political indifference, corruption, and cynicism—along with sincere engagement. The authors admirably avoid simplistic pronouncements, but their dense, leaden prose (even by academic standards) and awkward juxtapositions fail to evoke the diverse, contentious period that they document.

A substantial, valuable study. (22 b&w illustrations)

Pub Date: April 1, 2000

ISBN: 0-691-00130-8

Page Count: 303

Publisher: Princeton Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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