by Glenn Frankel ‧ RELEASE DATE: Feb. 21, 2017
A comprehensive guide to both a classic film and the era that created it.
Courage under the gun, in both art and life.
In this history, Pulitzer Prize winner Frankel (The Searchers: The Making of an American Legend, 2013, etc.) tells the story of the well-known 1952 Western that became virtually an allegory of its own making. High Noon, in which Gary Cooper plays a lawman who has to face a gang of killers alone after he is deserted by his friends and town folk, was made in the thick of the Hollywood blacklisting era, when former or current Communists were dragged before the House Un-American Activities Committee and forced to choose between naming names or kissing their careers goodbye. High Noon entered this fray as kind of an ideological Trojan horse, a story of integrity under assault, written, produced, and directed by a team of socially committed liberals and starring the staunchly Republican Cooper. The book’s key figure is writer Carl Foreman, who at the time of production was under fire for his refusal to play ball with HUAC, a standoff that would last until well after the film was finished. At its heart, the book is the story, through one man’s experience, of how HUAC shaped destinies, as Foreman’s contretemps with HUAC threatened production and fractured his relationships with director Fred Zinnemann, producer Stanley Kramer, and numerous associates. (Cooper, to his credit, rarely let politics get in the way of his friendship with Foreman or with making a good movie.) Besides the macro picture of Hollywood in its darkest era, Frankel is excellent at capturing the micro aspects as well, fascinatingly weaving in multiple and competing accounts of how the film was pieced together in the editing room. The author is occasionally overly worshipful, as well as repetitious, in his appraisal of the film, but he can’t be faulted for lack of thoroughness or research.
A comprehensive guide to both a classic film and the era that created it.Pub Date: Feb. 21, 2017
ISBN: 978-1-62040-948-0
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Mark Roberti ‧ RELEASE DATE: Sept. 2, 1994
Roberti, a former Hong Kong correspondent for AsiaWeek, has followed the convoluted negotiations between China and Britain over the last few years and has produced a formidable narrative of high diplomatic deception and expediency. Britain took Hong Kong from China on a 99-year lease due to expire in 1997. But China has always tolerated this high-powered capitalist outpost not so much because of the technicalities of a lease as for the huge quantities of hard currency she derived from it. Roberti, like many, seems to think that the British had a shot at keeping Hong Kong out of China's clutches. But Britain wanted good relations with the Communist giant and was not prepared to sour them over Hong Kong. He also points the finger of accusation at Hong Kong's own commercial elite, who, he claims, wanted a no- fuss complicity with Beijing at the price of suppressing democracy: ``an unholy alliance of capitalists and communists.'' A colony lawyer named Martin Lee, however, had misgivings, aroused by the treaty signed by Margaret Thatcher and Zhao Ziyang in 1984. ``One country, two systems,'' the promise of a democratic Hong Kong allied with mainland China, seemed unlikely. Giving a voice to Hong Kong's ordinary people, Lee organized vociferous protest against the British sell-out. In the process, he became ``more recognizable than the governor and more popular than many pop stars.'' But the pro-democracy movement has made no difference to the eventual outcome. And here there are unpleasant truths that Roberti seems reluctant to face. Were the British really ``forcing'' Hong Kong to live under a dictatorship? The reality, surely, was that the territory's residents no longer had the power to back their wishes up. The notion of a conspiracy, though, always makes for a better read, and Roberti is certainly deft in showing us one. A shame only that he could not come up with a better villain than poor old knock-kneed Britain.
Pub Date: Sept. 2, 1994
ISBN: 0-471-02621-2
Page Count: 400
Publisher: Wiley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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by Orville Schell ‧ RELEASE DATE: Sept. 1, 1994
The latest in a splendid series by Schell (Discos and Democracy, 1988, etc.), extending over 20 years and tracking momentous changes in the world's most populous country. Beginning almost where he left off in his last book, Schell describes the events at Tiananmen Square and their aftermath. The square has long been both a symbol of the power of successive regimes as well as a traditional site at which dissent was expressed. The demonstrations, which extended far beyond a rarefied group of students, journalists, and intellectuals, soon began to involve the urban proletariat, the very vanguard of the revolution. Deng Xiaoping, having crushed their dissent with great brutality, concluded that only economic development would save the regime. Deng is the latest in the line of Chinese reformers who have believed that China could borrow the technology and managerial methods of the West without affecting Chinese culture and values. For the moment, says Schell, the middle class has struck a Faustian bargain with the Communist Party, forgoing political confrontation while economic liberalization continues. ``By 1991,'' Schell notes, ``almost nobody in China was taking Marxism seriously.'' But the country presents the paradox of almost wild capitalist enthusiasm (with strange elements, including the success of a $1,500 limited edition Mao watch with diamond- and sapphire-studded gold casing) and a Stalinist security apparatus that presides over labor camps with 1020 million prisoners. China is now, Schell writes, irrevocably part of the world economic system, but he does not venture to predict the outcome. Schell doesn't give as immediate a sense of life in China as do Kristof and WuDunn in China Wakes (p. 826), nor has he travelled as widely, but he brings great analytical power and understanding to one of the most important political stories of our time. (Author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-671-70132-0
Page Count: 464
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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