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LOVE WARRIOR

A MEMOIR

Candid, brave, and generous.

How a marital crisis became a catalyst for a painful but ultimately enlightening journey into the depths of the human heart.

Though raised by loving parents, Melton (Carry On, Warrior: Thoughts on Life Unarmed, 2013) felt socially ill at ease and unworthy. At age 10, she found temporary release in the bulimic cycle of bingeing and purging. As a teenager, she hid her vulnerability behind a mask of trendiness and toughness, divorced her sexuality from all emotion, and began drinking. In college, she learned what she perceived to be the “rules” of female success: “thinness is beauty. Beauty is power. Power is Being Chosen by the Boys.” Melton found the popularity she desired but at the cost of becoming an alcoholic. When she met her future husband, Craig, he seemed the embodiment of the “wholesomeness and goldenness” that she felt would save her. The two wed after the author, who aborted their first child, became pregnant for the second time. Motherhood forced her to get her alcoholism and bulimia under control, but she felt lonely even with a family to care for and resentful toward Craig for imposing sex on her. After creating a successful blog and book that gave her truth-telling spaces she longed for, her world suddenly collapsed. Craig admitted to multiple infidelities, and the pair separated. During the course of therapy, the author realized that she had been seeking perfection in a man who was as needy and broken as she was. To become whole, each needed to own parts of themselves—Melton, the body, for Craig, the mind—they had disregarded. As the two gradually accepted their flaws and limitations, they learned to communicate more directly and honestly with each other. Though the memoir sometimes reads like a self-help book rather than a narrative, it nevertheless tells a compelling story about self-discovery and the nature of mature love.

Candid, brave, and generous.

Pub Date: Aug. 30, 2016

ISBN: 978-1-250-07572-7

Page Count: 272

Publisher: Flatiron Books

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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