by Gordon Bowker ‧ RELEASE DATE: Aug. 1, 2005
No matter how many incursions are made into his life, the compelling fascination of this politically and morally crucial...
An outstanding, if somewhat superfluous, account of “one of the great misfits of his generation.”
With Jeffrey Meyers’s recent Orwell (2000) on most library shelves, it’s hard to see the need for yet another comprehensive biography. But English literary biographer Bowker (Through the Dark Labyrinth, 1997, etc.) is determined to leave no stone unturned in flushing out the artful political writer’s emotional life, especially the distressing contradiction between his public honesty and his private furtiveness. The avid Orwellian will soon be won over by Bowker’s amiable prose and thorough familiarity with his subject’s milieu. While the text is long, it moves swiftly from Eric Blair’s “golden age” growing up in Edwardian Oxfordshire through the dreadful St. Cyprian’s boarding school (immortalized in the essay “Such, Such Were the Joys”) to Orwell’s puzzling yet life-defining five-year service as a policeman in colonial Burma. (Emma Larkin’s Finding George Orwell in Burma, p. 403, offers superb treatment of this period.) The author authoritatively traces the evolution of “George Orwell” through Blair’s repudiation of his colonial bourgeois roots (Down and Out in Paris and London), the forging of his socialist conscience (The Road to Wigan Pier) and his deep suspicion of Soviet communism (Homage to Catalonia) toward the prophetic clarity of his political perception (Animal Farm, 1984). As well, Bowker provides excellent historical context and a nice sense of the personalities involved. He does not attempt to gloss over Orwell’s less savory qualities, acknowledging the writer’s misogyny and recently exposed tendency to “pounce” on undefended women. The final chapter takes an intriguing look at how Orwell’s work was posthumously co-opted to serve the right-wing Cold War cause due to the naiveté of Sonia Brownell, the bride he took virtually on his deathbed in 1949.
No matter how many incursions are made into his life, the compelling fascination of this politically and morally crucial author always comes through.Pub Date: Aug. 1, 2005
ISBN: 0-349-11551-6
Page Count: 490
Publisher: Abacus/Trafalgar
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2005
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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