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CANADIAN RAILROAD TRILOGY

Sir John A. Macdonald once envisioned what Gordon Lightfoot called “an iron road runnin’ from the sea to the sea”—the Canadian Pacific Railway, begun in 1885. In this dramatic, oversized tribute to the construction of that mighty railroad, both the lyrics of Lightfoot’s song “Canadian Railroad Trilogy” (1967) and Wallace’s dazzling chalk pastels powerfully illustrate the manifestation of that ambitious dream, emphasizing the ethnically diverse people who made it possible and those whose lives were forever changed by it: “We are the navvies who work upon the railway, / Swingin’ our hammers in the bright blazin’ sun. / Layin’ down track and buildin’ the bridges, / Bendin’ our backs ’til the railroad is done.” The atmospheric illustrations—each explained in wonderfully detailed endnotes—capture not only the workers’ toil but also the splendor of the Canadian landscape and, obliquely, the price the displaced First Nations people paid for steam-train technology. (music and lyrics, illustrator’s notes, a brief history of the Canadian Pacific Railway, further reading) (Picture book. 4-8)

 

Pub Date: Nov. 1, 2010

ISBN: 978-0-88899-953-5

Page Count: 56

Publisher: Groundwood

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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FIELD TRIP TO THE OCEAN DEEP

From the Field Trip Adventures series

A quick but adventuresome paddle into a mysterious realm.

The ocean’s depths offer extra wonders to a child who is briefly left behind on a class trip.

In the wake of their Field Trip to the Moon (2019), a racially diverse group of students boards a submarine (yellow, but not thatone) for a wordless journey to the ocean’s bottom. Donning pressure suits, the children follow their teacher past a swarm of bioluminescent squid, cluster around a black smoker, and pause at an old shipwreck before plodding back. One student, though, is too absorbed in taking pictures to catch the signal to depart and is soon alone amid ancient ruins—where a big, striped, friendly, finny creature who is more than willing to exchange selfies joins the child, but it hides away when the sub-bus swoops back into sight to pick up its stray. Though The Magic School Bus on the Ocean Floor (1994) carries a considerably richer informational load, in his easy-to-follow sequential panels Hare does accurately depict a spare assortment of benthic life and features, and he caps the outing with a labeled gallery of the errant student’s photos (including “Atlantis?” and “Pliosaur?”). The child is revealed at the end to be Black. Hare also adds cutaway views at the end of a diving suit and the sub. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 40% of actual size.)

A quick but adventuresome paddle into a mysterious realm. (Picture book. 6-8)

Pub Date: Sept. 8, 2020

ISBN: 978-0-8234-4630-8

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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BYE LAND, BYE SEA

A radiant tale of adventure and friendship.

A boy on land and a girl at sea overcome language barriers to become friends.

A girl wearing a white, wide-brimmed hat steers a boat, worry across her face. “I’m lost.” A boy in a red-orange cap holding a conch shell on a string stares out at the sea. “Soy náufrago.” She sees land and heads toward it. He spots the boat, hoping for a friend rather than a foe. As each child notices the other, their mutual trepidation leads to an unexpected initial encounter. “AAAAAAAH!” “¡AAAAAAA!” Both children, however, soon realize they have nothing to fear. Amid island backdrops brimming with rich blues, greens, and oranges, the girl and the boy take tentative steps toward one another. A problem: She speaks English; he speaks Spanish. To communicate, the girl and the boy explore the island and share a little of their worlds. Eventually, the children voyage off the island in the boat, but a sudden storm splits them up. Will the friends reunite? Restrained and spare but potent text whips up an exceptional tale of kinship, where English and Spanish words often converge in meaning. Montalvo’s watercolor, gouache, and graphite artwork brims with verve, leveraging unusual perspectives, thoughtful frames, and vivid tones that culminate in a sublime gatefold. The girl reads as white, while the boy has light brown skin and is cued Latine.

A radiant tale of adventure and friendship. (Picture book. 4-8)

Pub Date: April 30, 2024

ISBN: 9781250246721

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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