Morality clashes with greed and savagery on the American frontier.
A young man comes of age at the dawn of the California Gold Rush.
When 17-year-old Joshua Gaines, orphaned and fleeing a man bent on collecting a debt owed by his physician foster father, leaves St. Louis in 1849, he knows his road in life will not be easy. But even his worst imaginings don’t prepare him for the nightmare he’ll experience when he meets up in Independence, Missouri, with mysterious and sulfurous smelling Renard, formerly enslaved Free Ray, and three other men bound for Sutter’s Mill in California’s Sacramento Valley to seek their fortune in the newly discovered gold deposits there. Sauer efficiently portrays the danger and routine hardships of the small party’s 1,500-mile trek along with other emigrants without ignoring the harsh beauty of the American wilderness. But once the band reaches California, Joshua’s story grows even darker, as he forsakes his fruitless efforts to pan for gold to ally himself with what has been Renard’s plan from the beginning—to amass great wealth quickly by stealing it. Only occasionally lapsing into self-consciously literary prose, Sauer balances vivid scenes of violence and betrayal with glimpses of Joshua’s emotional turmoil as he’s drawn more deeply into Renard’s scheme, one that with each murderous theft transports him further from his dream of following his father into the medical profession. The young man’s conflict climaxes when he and the others encounter a religious community that brings him face to face with the depth of his transgressions. The ruthlessness of Renard’s gang becomes a metaphor for the history of White civilization’s westward expansion in the 19th century, but Joshua’s own journey concludes on a note that offers, if not full redemption, at least a glimmer of hope.
Morality clashes with greed and savagery on the American frontier.Pub Date: Aug. 24, 2021
ISBN: 978-1-938235-79-5
Page Count: 286
Publisher: Hub City Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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