A nice, sharply drawn plot that never goes slack and reaches a surprising conclusion in good time.
Another top-notch tale of suspense from Iles (24 Hours, 2000, etc.), who this time around finds the clues to a series of grisly murders in an art gallery.
The heroine is one Jordan Glass, a photojournalist who is taking some time off from her job in the hopes of getting over the trauma of her sister’s murder in New Orleans the year before. On vacation in Hong Kong, Jordan visits the Museum of Chinese Art to see a controversial exhibition of female nudes. The controversy of the paintings is not related to the nudity of the subjects, however—it’s a question of whether the women in the paintings (by an unknown artist) were posing alive or dead. It’s a macabre scene, to be sure, but what makes things even worse is the reaction of the other museumgoers to Jordan: They stare at her as if she were a ghost as soon as she enters the gallery. When she gets to the end of the show, she sees why: One of the portraits is of her dead sister. Now the time for forgetting is past, and Jordan sets off with the FBI to track down her sister’s murderer. Since he is probably a serial killer, there are more lives at stake, and Jordan works under an increasing sense of dread as she pursues her quarry from Hong Kong to New York to New Orleans to the Caribbean. As in all good mysteries, Jordan discovers a few secrets about herself in the process, not to mention plenty of family skeletons she had never imagined. But there’s more to defend this time than her family’s reputation—or hers.
A nice, sharply drawn plot that never goes slack and reaches a surprising conclusion in good time.Pub Date: July 9, 2001
ISBN: 0-399-14735-7
Page Count: 352
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
More of a western than a mystery, like most of Joe’s adventures, and all the better for the open physical clashes that...
Wyoming Game and Fish Warden Joe Pickett (Free Fire, 2007, etc.), once again at the governor’s behest, stalks the wraithlike figure who’s targeting elk hunters for death.
Frank Urman was taken down by a single rifle shot, field-dressed, beheaded and hung upside-down to bleed out. (You won’t believe where his head eventually turns up.) The poker chip found near his body confirms that he’s the third victim of the Wolverine, a killer whose animus against hunters is evidently being whipped up by anti-hunting activist Klamath Moore. The potential effects on the state’s hunting revenues are so calamitous that Governor Spencer Rulon pulls out all the stops, and Pickett is forced to work directly with Wyoming Game and Fish Director Randy Pope, the boss who fired him from his regular job in Saddlestring District. Three more victims will die in rapid succession before Joe is given a more congenial colleague: Nate Romanowski, the outlaw falconer who pledged to protect Joe’s family before he was taken into federal custody. As usual in this acclaimed series, the mystery is slight and its solution eminently guessable long before it’s confirmed by testimony from an unlikely source. But the people and scenes and enduring conflicts that lead up to that solution will stick with you for a long time.
More of a western than a mystery, like most of Joe’s adventures, and all the better for the open physical clashes that periodically release the tension between the scheming adversaries.Pub Date: May 20, 2008
ISBN: 978-0-399-15488-1
Page Count: 320
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
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