Reel film meets real history in this scintillating tale.
What happens when the military gets involved in an arts project.
Mitchell, the former editor of Nuclear Times and Editor & Publisher, uses his sharp investigative reporting skills to unearth this detailed, behind-the-scenes story about Hollywood’s first movie on the atomic bomb. It begins innocuously enough in October 1945, two months after the Hiroshima and Nagasaki bombings, with a letter to actress Donna Reed from Ed Tompkins, her former high school chemistry teacher who moved on to become a scientist at Oak Ridge. He asked if she thought a “movie could be planned and produced to successfully impress upon the public the horrors of atomic warfare.” Mitchell sets his tale up as a series of battles. The primary one was between the scientists, including Tompkins and Robert Oppenheimer, who were desperate to control nuclear proliferation and the deployment of nuclear weapons, and the military, led by Gen. Leslie R. Groves, director of the Manhattan project. Reed’s husband, talent agent Tony Owen, helped pitch the idea to MGM’s Louis B. Mayer, who showed a keen interest in the project. Paramount’s Hal B. Wallis had a similar idea, with “controversial novelist Ayn Rand” writing the screenplay. MGM lined up Bob Considine, author of Thirty Seconds Over Tokyo, to write theirs. MGM talked to President Harry Truman, who was on board, even coming up with an apocalyptic title: “We are either at the beginning or the end.” Wallis’ less dramatic title was Top Secret. In mid-December 1945, the New York Times published a story about the “Hollywood Atom Sweepstakes.” Wallis eventually dropped out of the race. Excellent research and rich dialogue give Mitchell’s book a novelistic flair as he recounts the battles between MGM and the military over actor choices, deletions, revisions, and retakes concerning fact vs. fiction, with the military and the White House usually winning. The Beginning of the End opened with a notice indicating that it was “basically a true story.”
Reel film meets real history in this scintillating tale.Pub Date: July 14, 2020
ISBN: 978-1-62097-573-2
Page Count: 272
Publisher: The New Press
Review Posted Online: April 8, 2020
Kirkus Reviews Issue: May 1, 2020
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
Whirlwind Bravo buzz delivered with brazen attitude.
The former reality TV star tells all—and then some.
In this revealing and dishy memoir, Rinna leads with intense family trauma, describing the tragic losses of her beloved mother, Lois, from a stroke in 2021, as well as intimately detailing her father’s assisted suicide and her half-sister’s accidental overdose at age 21. Rinna attributes her Season 12 departure from Bravo’s Real Housewives of Beverly Hills to the immense grief and repressed anger she was processing while trying to film episodes for the series and keep her composure intact. Her on-camera appearances became rage-filled and volatile; she posted about them on social media, and they collectively drove home the fact that her relationship with the Real Housewives franchise has always been complicated. Rinna’s juicy ordeals with Bravo form the simmering centerpieces of the book, giving fans what they want most, despite the author’s attempts to dispense early-career highlights or perspectives on how she lost her mojo in her 30s but regained her power in her 40s and beyond. She never skimps on the scandalous when describing the “enemy territory” toxic atmosphere of a Housewives reunion, her resignation from Bravo at age 60, or warning then-newcomer Erika Jayne that “Bravo is the casino, we’re the players, and the house always wins.” Incorporating plenty of sass, hype, personality, and unflinching honesty, Rinna presents a smoothly written, satisfying combination of intimate anecdotes and family stories, commentaries about aging and cosmetic preservation in Hollywood, female friendship dynamics, motherhood, marriage to Harry Hamlin, fashion, and “the ongoing evolution of being a woman.” Then she gleefully circles back to the melodramatic “blood sport” dustups on the series, a subject she reliably depicts with brio.
Whirlwind Bravo buzz delivered with brazen attitude.Pub Date: Feb. 24, 2026
ISBN: 9780063425330
Page Count: 224
Publisher: Dey Street/HarperCollins
Review Posted Online: Feb. 27, 2026
Kirkus Reviews Issue: April 15, 2026
BOOK REVIEW
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