An engaging Mafia story spiked with some surprises.
An ambitious prosecutor and a newbie mob attorney face off in this debut legal thriller.
After three years working as a lawyer in the Palm Beach County Public Defender’s Office in Florida, 29-year-old Jason Noble is burned out. “Being an assistant public defender is like working in dog years,” he tells his boss. And Jason knows a lot about canines, as his English bulldog, Caesar, is his constant companion at home and on business-related road trips. After Jason opens his own law practice, business is initially slow. But things heat up after mobster Antonio “Magic Man”Barrera, charged with three counts of murder, is advised by one of “the best lawyers in the country” that it’s an unwinnable case. The lawyer, Peter “the Great” Cohen, suggests hiring an inexperienced former public defender so “Ineffective Assistance of Counsel” can ultimately be proved. Enter Jason, who will spar with prosecutor Trevor Wittingham, a gubernatorial candidate running in a special election. Wittingham believes the conviction of a reputed mob boss will ensure his ascent “to the governor’s mansion,” so he’s willing to do whatever it takes to win the case. In Morse’s story, verbal and physical cruelty—a wife continually berating her husband; trafficked victims suffering before being killed; a mobster getting mutilated before being thrown to the gators—piles on to the point of diminishing returns. Mobspeak—including terms such as “fuhgeddaboudit”—lifted from B gangster films sounds clichéd. Nicknames are overused—to name a few: Vinnie “The Bag” Respi, Mario “Lug Nut” Rizzo, and attorney Tim “Butt-Kisser” Barnes.There’s nothing woke about the female characters: sex workers, crabby wives, and “doe-eyed” stunners. But courtroom scenes read authentically, and the author knows the South Florida area, citing, for example, “The Chart Room, where Truman Capote penned his final novel and Jimmy Buffett and Bob Marley played their first gigs.” A courtroom reveal and an unexpected ending are more than satisfying.
An engaging Mafia story spiked with some surprises.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Feb. 26, 2022
Review Program: Kirkus Indie
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
A captivating novel.
On the cusp of motherhood, a woman faces peril.
Annie is 37 weeks pregnant, shopping for a crib at IKEA, when suddenly she feels a terrible jolt, “a wave underneath me,” she thinks, “lifting me up.” An earthquake has hit Portland. In her assured debut novel, Pattee follows Annie through a horrific day: With wreckage all around her, she is intent on making her way to find her husband. She has miles to walk, it’s hot, she’s hungry and thirsty and afraid. She’s alone, and yet not alone, because she’s carrying a child, her precious Bean. “How did we get here, Bean?,” she asks. “You and me, IKEA, Monday morning, AISLE 8, BIN 31, hand on metal rack, eyes wide in fear, body tensed like a firecracker about to explode?” As she trudges across devastating landscapes—collapsed houses, bridges, and schools; supermarkets and convenience stores overrun by looters; bodies of the wounded and dead—Annie answers that question by beginning 17 years earlier, when she fell in love with Bean’s father, Dom, and they set out together to fulfill their dreams of becoming stars: she, a playwright; he, an actor. But Annie gave up writing, and Dom, while tirelessly auditioning, works at a cafe. Annie worries, as she walks, about their lack of money “to have a baby, much less feed a baby, much less house a baby, much less pay somebody to watch said baby.” She worries that they’ll never be able to afford a home of their own, with real estate prices ballooning. She worries about her ability for mothering, for being a “lifelong cheerleader” for her husband, and about realizing their dashed dreams. Recounting Annie’s precarious journey across the city and into her past, Pattee reveals that the quake has upended more than the earth.
A captivating novel.Pub Date: March 25, 2025
ISBN: 9781668055472
Page Count: 240
Publisher: Marysue Rucci Books
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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