Idiosyncratic but vivid account of the times—and, less successfully, the life—of the great WW I French leader Georges Clemenceau (1841-1929). Dallas (The Imperfect Peasant Economy, 1982—not reviewed) believes that, of all the recent major war leaders, Clemenceau, while one of the most unusual, remains the least known to English- language readers. Regarded as an extreme leftist, Clemenceau was 65 before he first gained national office (as minister of the interior), though he'd been in the French Parliament for more than 30 years, where he was famed as a destroyer of ministries—and of men—rather than as a creative figure. During these years, he fought his share of the duels that were then still a feature of French political life. (On one celebrated occasion, one of his opponents told Parliament that there were ``three things about him that you dread: his sword, his pistol, his tongue.'') As a journalist, Clemenceau's output was prodigious and often remarkably prescient: His views on colonialism, race, and unions were far ahead of his times. His first tenure as PM lasted three years, one of the longest tenures in the Third Republic. But his fame rests on his period in office during the last year of the war, as the French, seemingly having exhausted all other alternatives, were forced to rely on his genius. Given his high profile, it's curious how little sense we have of what sort of man Clemenceau was. Dallas calls him ``the most distant, the most elusive, the most secret of men,'' and regrettably does little to penetrate the secret—making almost no reference, for instance, to Clemenceau's private affairs, which were as elusive as the rest of his life: He married an American woman and seems to have spent very little time with her, though it was some years before they divorced. Clemenceau remains an enigma here but his era comes alive through Dallas's high-flown but lively approach. (Twenty-four pages of b&w illustrations)
Pub Date: Oct. 15, 1993
ISBN: 0-7867-0000-9
Page Count: 640
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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