by Gregory J.E. Rawlins ‧ RELEASE DATE: Sept. 1, 1996
In eight essays, Rawlins (Mathematics/Indiana Univ.) speculates on the exciting, scary new world computers are bringing us. In some areas, such as military technology, Rawlins does not expand much on Howard Rheingold's study Virtual Reality (1991). And so much is written these days about the Internet that nothing Rawlins says, startling as it might have been even a year ago, seems surprising today. Rawlins's comments on book publishing, however, offer a fascinating scenario for the next 10 or 20 years. It is now cheaper to produce a book electronically than to print it, and publishers, Rawlins suggests, will soon offer inexpensive subscriptions to their lists of upcoming books, in much the way that the cable TV industry works. Many publishers will resist, as movie producers resisted video, but then will find that they cannot exist without electronic books. All that is needed to set this chain of events in motion is a cheap, user-friendly electronic reader. Rawlins is also insightful on the economics of computers: The frighteningly short cycle of invention and obsolescence, and the manner in which software climbs up the organizational charts, performing ever more complicated and vital functions, eliminating not just typists but executives, too. Careers will turn over and over, and few of us, he suggests, will know with any certainty what the rapidly evolving machines are doing. Rawlins also touches on the most vexing problem of all: the poor. Knowledge, expressed by technology, is power. The numbers of those left out of this equation are growing exponentially. Will the economic benefits of the computer ever trickle downward? Is there any way to avoid the creation of an increasingly small elite controlling access to many of technology's most important uses? Does utopia lie ahead—or endless poverty and war? Such questions have no answers, but Rawlins asks them brilliantly.
Pub Date: Sept. 1, 1996
ISBN: 0-262-18176-2
Page Count: 187
Publisher: MIT Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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