Fresh from an encounter with ghost mastodons (Six Haunted Hairdos, 1997), Miss Earth’s fifth-grade class readily takes on a new challenge in this eccentric holiday story from Maguire. When Mayor Timothy Grass disappears, all of Hamlet, Vermont, is abuzz with rumors; in Miss Earth’s class opinion is about evenly divided between the Tattletales (girls), who think he fell into a time warp, and the Copycats (boys), who blame Bigfoot. Neutral Pearl Hotchkiss’s suggestion that he was abducted by aliens is discounted, but she’s right. Having glimpsed a Christmas movie on the visor screen before their crash landing, five aliens from planet Fixipuddle are out to free the slaves from “Santa Claw’s” workshop and end his evil domination of the world; when Mayor Grass strolls by, still in his Santa suit from a school visit, they tie him up and apply tickle torture to make him reveal the location of his Fortress of Fear (the workshop). After an unsuccessful attempt to disguise themselves as Keebler-style elves, the aliens recruit Lois Kennedy’s beagle, Reebok, to spy for them, equipping him with a universal translator that allows him to talk. Their mistake: Reebok’s a double agent. The Tattletales and Copycats accept Reebok’s story, put aside all rivalries, and spring into action, converting the classroom into a “workshop” of broken toys for the aliens to “liberate.” This clever comedy, with humor both broad and sly, has the odd combination of hilariously fractious aliens and a generous measure of Christmas cheer—but it works. (b&w illustrations, not seen) (Fiction. 9-11)
Pub Date: Sept. 21, 1998
ISBN: 0-395-83894-0
Page Count: 170
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
Swinburne sets out to teach young children about how shadows are created, describing night as a shadow on the earth, and giving children tangible reasons for why shadows vary in size, shape, and location. The latter half of the book invites readers to guess the origins of the shadows in vivid full-color photographs; subsequent pages provide the answers to the mysteries. A foreword contains information regarding the scientific reasons for shadows, which can be explained to small children, but it is the array of photographs that truly invites youngsters to take a closer look and analyze the world around them with an eye for the details. (Picture book/nonfiction. 3-5).
Pub Date: Feb. 1, 1999
ISBN: 1-56397-724-9
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Deliberately constructed, Wilson’s wordless picture book makes an adroit and whimsical artistic statement and invites audience participation. On the title page, a child’s hands reach toward a bundle of colored pencils dangling from a branch; the pencils are in bright colors but everything else is sketched in black and white. In careful detail, the child draws a magpie seen on a branch outside the window (perhaps the same branch where the pencils were hung) and when the drawing is completed, the bird flies away from the paper. The child draws cherries, shimmering red on the page, and the bird eats them; the child draws an orange balloon, which the bird pops. Things get a little dangerous when the bird grabs a piece of yellow that sets the page afire and then scribbles blue water that makes a mess. Drawings and events co-determine each other: the child has cages the magpie, the bird grabs the eraser through the bars and escapes the cage, and so it goes, to a last laugh when a claw seizes the pencils and makes a brilliant rainbow of feathers. The only words are the names of the colors, appearing at the end. The realistic drawing style and the use of saturated color on an otherwise black-and-white page are an arresting combination. (Picture book. 3-7)
Pub Date: March 1, 1999
ISBN: 0-8037-2354-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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